Michael Snow (Canadian, b. 1929). Still from Wavelength, 1967. 16mm color film with sound, 45 min. Canadian Filmmakers Distribution Center, Toronto. © Michael Snow. Photo: Canadian Filmmakers Distribution Centre [CFMDC], Toronto

Film Screening: Conceptual Shorts

Sunday, November 18, 2012 at 1–6 p.m.
Iris and B. Gerald Cantor Auditorium, 3rd Floor

The Elizabeth A. Sackler Center for Feminist Art presents a program of 16mm films in conjunction with the exhibition Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art. The 1 and 2:30 p.m. programs were first presented as part of Lippard’s 1969 exhibition 557,087, at the Seattle Art Museum (World Fair Pavillion, Seattle). Talks by exhibition co-curator Catherine Morris and film and art historian Branden Joseph will be included in the program.

Program Schedule

1 p.m.

Paul Sharits
T,O,U,C,H,I,N,G (1968, 12 min.)

Ken Jacobs
Soft Rain (1968, 12 min.)

Hollis Frampton
Surface Tension (1968, 10 min.)

Joyce Wieland
Dripping Water (1969, 11 min.)

Owen Land
The Film That Rises to the Surface of Clarified Butter (1968, 9 min.)

2:30 p.m.

Robert Huot
Black and White Film (1968–69, 13 min.)

Michael Snow
One Second in Montreal (1969, 26 min.)
Standard Time (1967, 8 min.)

Ernie Gehr
Reverberation (1969, 23 min.)

4:45 p.m.

Michael Snow
Wavelength (1967, 45 min.)