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- ico: Impressive reflection. I am starting to study this exhibition as an example of how content and media are use in...
- Deborah Wythe: Hi Jim, Thanks for the comments. Painting with broad strokes definitely leaves much room for...
- jim hayes: love the discussion. a few quibbles: not creation date, but “published” date (more...
- Gillian Williams: I am engaged in a doctoral program and I wondered where I can find an English version of the...
- Will Chandler: Thanks for the report and your good work on this delightful and amazing example of 19th Century...
Recent Posts
January 25, 2012: Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important… »January 10, 2012: What’s Behind the Green Doors?
On the first floor of the Museum, if you look to your left while waiting for the double elevators, you will notice two wide… »January 4, 2012: QR in the New Year?
A while back, I reported that we were in the process of a trial period with QR codes. We've just taken a look at the stats,… »December 28, 2011: In the Gallery vs. Online: How a Split Second Can Differ
One of the questions people always ask me is how web differs from what happens in the building and that's a difficult thing to… »December 21, 2011: Split Second: A Curator’s Reaction to the Results
I’ve had a lot of time to mull over the results of the Split Second, so here are a few of my thoughts—roughly one week… »
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Monthly Archives: August 2007
Press for the Center
Dear Readers: Below is a list of press compiled about the Elizabeth A. Sackler Center for Feminist Art, the permanent installation of The Dinner Party and, of course, our inaugural show Global Feminisms. (Global Feminisms Remix press to come!) We … Continue reading
Carnival in Brooklyn 2007!
Photo courtesy Clay Williams It’s that time of year again! First, a quick reminder that there will be no Target First Saturday in September due to the West Indian-American Day Carnival events taking place at the Museum over Labor Day … Continue reading
A Delicate Balance
Only two days left until Infinite Island opens here at the Brooklyn Museum! I have enjoyed regaling you with descriptions of huge, complicated installations, and the most unlikely materials ever to be found in a Museum. I assure you, however, … Continue reading
Let’s hear it…
Screenshot from the Infinite Island comment kiosks. In preparation for the opening of Infinite Island this Friday, we’ve just finished installing our comment kiosks. For this exhibition, we developed a couple of new components. Now, our visitors can give us … Continue reading
Purchasing a Major Work of Art for the Collection – part III
Last time I wrote about how we happened to have the money and the initiative to look for a major new acquisition for the Asian collection. This time, I’m going to talk about how we developed a shopping list before … Continue reading
Posted in Arts of Asia, Newly on View, Recent Acquisitions
Tagged bronze, chola, exhibitions, shiva
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Shopping “Infinitely”
Contemporary art often employs cutting-edge techniques, technologies, and materials, and our Infinite Island artists are proof in point. I would love to share some of the interesting materials coming in to the Museum as we get ready for the exhibition … Continue reading
Demetrios goes for a ride
While Marc was visiting us from the Getty to carry out XRF on our mummy Demetrios, we decided to give Marc a sample of the linen used to wrap him, to perform radiocarbon dating (C14). A small sample (2-5mg) of … Continue reading
Posted in Conservation, Egyptian Art, On Loan
Tagged demetrios, mummy, mummychamber, toliveforever
2 Comments
Crow Fair 2007: Morning Parade and Grand Entry
As we prepare for the Brooklyn Museum’s tipi exhibition, I am in Billings, Montana attending the 2007 Crow Fair with my colleague Susan Kennedy Zeller. Here are a few images from the morning parade and the Grand Entry to the … Continue reading
Purchasing a Major Work of Art for the Collection – part II
In my previous entry, I introduced a wonderful object, an Indian bronze of Shiva from the tenth century. I am tracing the way that this work of art entered the Brooklyn Museum’s collection in 2007, offering an introduction to the … Continue reading
Posted in Arts of Asia, Newly on View, Recent Acquisitions
Tagged bronze, chola, shiva
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The Getty Visits Demetrios
On July 5, Marc Walton, a scientist with the Getty Conservation Institute came to examine one of our mummies, knows as Demetrios. He brought a portable X-ray fluorescence (XRF) machine with him. With this non-destructive technique, he can take readings … Continue reading
Posted in Conservation, Egyptian Art, On Loan, Special Guests
Tagged demetrios, mummy, mummychamber, toliveforever
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Time to Clean the Pegasi!
Over a few days each summer the object conservators and the conservation summer interns get to venture out to the sculpture garden to treat the outdoor sculptures. One Pair of Pegasi This summer we cleaned the Four Pairs of Pegasi … Continue reading
Posted in American Art, Conservation
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Purchasing a major work of art for the collection
I have been an art museum curator for almost eight years now, and I can tell you that the one aspect of my job that has consistently offered the headiest mixture of fun and stress has been the search for … Continue reading
The Heat Is On
We are well into August, and things are really heating up here at the Brooklyn Museum. Six artists will be coming to the Museum this week to install their works for Infinite Island: Contemporary Caribbean Art – joining us from … Continue reading
I Wish I Had Wheels
Like most New Yorkers I was stuck in/on the subway for nearly three hours yesterday! Being from California, I’ve missed having a car, but I’ve never wished for wheels and an open road like I did yesterday. Speaking of wheels, … Continue reading


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Let’s Hear It: Part II
Just what are “interpretive materials”? I’m often asked this question and usually have a hard time reducing my answer to one or even five things, as interpretive materials change with time and vary from one exhibition to the next. For … Continue reading…