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- ico: Impressive reflection. I am starting to study this exhibition as an example of how content and media are use in...
- Deborah Wythe: Hi Jim, Thanks for the comments. Painting with broad strokes definitely leaves much room for...
- jim hayes: love the discussion. a few quibbles: not creation date, but “published” date (more...
- Gillian Williams: I am engaged in a doctoral program and I wondered where I can find an English version of the...
- Will Chandler: Thanks for the report and your good work on this delightful and amazing example of 19th Century...
Recent Posts
January 25, 2012: Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important… »January 10, 2012: What’s Behind the Green Doors?
On the first floor of the Museum, if you look to your left while waiting for the double elevators, you will notice two wide… »January 4, 2012: QR in the New Year?
A while back, I reported that we were in the process of a trial period with QR codes. We've just taken a look at the stats,… »December 28, 2011: In the Gallery vs. Online: How a Split Second Can Differ
One of the questions people always ask me is how web differs from what happens in the building and that's a difficult thing to… »December 21, 2011: Split Second: A Curator’s Reaction to the Results
I’ve had a lot of time to mull over the results of the Split Second, so here are a few of my thoughts—roughly one week… »
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Monthly Archives: March 2008
Minimizing Influence
We are launching the evaluation interface for Click! today, so I wanted to take this opportunity to write about some of the choices behind the design. In The Wisdom of Crowds, James Surowiecki asserts that for a crowd to be … Continue reading
Lorraine O’Grady on the Web
(Lorraine O’Grady, Mlle Bourgeoise Noire, 1981, Performance at the New Museum of Contemporary Art, New York. Photo courtesy of Lorraine O’Grady.) Young scholars of art history, and fans of performance art alike will be interested to learn that the pioneering … Continue reading
Parting Shots
Richard and I spent most of our last days at Mut photographing pot sherds, a necessary but decidedly unphotogenic task. However, I did have time to take a few other photographs, mainly in the early morning before starting on the … Continue reading
Patterns & Models
Venus, no. 192 (August 1988). “Numero special femmes voiles pour l’été 1988” (Special issue for veiled women, summer 1988). Collection of the artist While living in Cairo in 1988, Ghada Amer had an artistic breakthrough when she stumbled across a … Continue reading
Book Art in DUMBO – 5 + 5: a dialogue
Brooklyn has a rich community of artists and galleries and this is especially true for artists who work in the realm of the book. By that I mean artists who choose the book form to be their canvas to express … Continue reading
Modern Coney
Lynn Hyman Butler, American, born 1953. The Girl with a Gun. From the series “Coney Island Kaleidoscope” ca. 1988. Cibachrome color print. sheet: 11 x 13 3/4 in. image: 9 x 13 1/4 in. Gift of Ilford Photo Corporation. 1991.59.6 … Continue reading
Click! Get the word out…
One of the biggest challenges we face with an exhibition like Click! is getting the word out. Click! depends on two types of participation, initial submissions from the artist community and participation from the online community who will evaluate those … Continue reading
Get Ready for ©MURAKAMI!
We said goodbye to Infinite Island at the end of January. Packing up: The artwork from Infinite Island: Contemporary Caribbean Art is crated in preparation for shipping. The show had a great run, and encouraged much enlightening discussion that will … Continue reading
The Elizabeth A. Sackler Center on Facebook
Many of you have already discovered the Elizabeth A. Sackler Center for Feminist Art page on Facebook, where you can find information about the Center, including details on the current exhibitions Ghada Amer: Love Has No End and Votes for … Continue reading
A Coney Island Renaissance?
As many of the postings on Flickr illustrate, images of Coney Island frequently capture a gritty and often sadly neglected landscape. But this kind of urban exploration, especially of an area like Coney, which has always attracted a broad range … Continue reading


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