Young scholars of art history, and fans of performance art alike will be interested to learn that the pioneering performance artist, critic, and feminist scholar Lorraine O’Grady has recently launched a teachable website that showcases both her visual art and extensive writings. O’Grady herself is blogging too! Born in Boston, and educated at Wellesley College and the Iowa Writers’ Workshop, O’Grady pursued successful careers as a research economist, translator and rock critic for the Village Voice before she began making performance art in 1980, when she performed her most famous persona, Mlle Bourgeoise Noire. O’Grady’s writings about race, gender, and miscegenation, have been published and anthologized widely, and are all accessible or able to be downloaded in pdf format on the site, including her influential essay, “Olympia’s Maid: Reclaiming Black Female Subjectivity,” (1992, 1994). Check it all out here.