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Recent Comments
- ico: Impressive reflection. I am starting to study this exhibition as an example of how content and media are use in...
- Deborah Wythe: Hi Jim, Thanks for the comments. Painting with broad strokes definitely leaves much room for...
- jim hayes: love the discussion. a few quibbles: not creation date, but “published” date (more...
- Gillian Williams: I am engaged in a doctoral program and I wondered where I can find an English version of the...
- Will Chandler: Thanks for the report and your good work on this delightful and amazing example of 19th Century...
Recent Posts
January 25, 2012: Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important… »January 10, 2012: What’s Behind the Green Doors?
On the first floor of the Museum, if you look to your left while waiting for the double elevators, you will notice two wide… »January 4, 2012: QR in the New Year?
A while back, I reported that we were in the process of a trial period with QR codes. We've just taken a look at the stats,… »December 28, 2011: In the Gallery vs. Online: How a Split Second Can Differ
One of the questions people always ask me is how web differs from what happens in the building and that's a difficult thing to… »December 21, 2011: Split Second: A Curator’s Reaction to the Results
I’ve had a lot of time to mull over the results of the Split Second, so here are a few of my thoughts—roughly one week… »
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Monthly Archives: January 2009
Progress on all fronts
We are so happy that William and Elsie Peck could join us again this year. After a look around the site first thing Saturday morning (their first day), they had a chance to catch up with Jay van Rensselaer, the … Continue reading
Jonas Platt
Samuel Finley Breese Morse (American, 1791-1872). Jonas Platt, 1828. Oil on canvas, 35 15/16 x 29 7/16 in. (91.3 x 74.8 cm). Brooklyn Museum, 85.23. By the mid-1820s, Samuel F. B. Morse finally had achieved in his portraits a more … Continue reading
1stfans Twitter Art Feed Artist for February 2009: Mary Temple
We all know this feeling, right? When you walk into an exhibition and there’s one work that really stops you in your tracks? On a recent trip to Pittsburgh, it happened to me at the Mattress Factory‘s Inner and Outer … Continue reading
Posted in 1stfans, Contemporary Art, Membership
Tagged collaboration, socialnetworking, twitter
11 Comments
Wikipedia Loves Art, full house!
In addition to our original partners (Indianapolis Museum of Art, The Jewish Museum, Los Angeles County Museum of Art, The Metropolitan Museum of Art, V&A) we’ve now been joined by Art Gallery of New South Wales, Carnegie Museum of Art, … Continue reading
Posted in Technology
Tagged collaboration, socialnetworking, web2.0, wikipedia, wikipedialovesart
9 Comments
Burning Down the House Artist Focus: CARRIE MAE WEEMS
Carrie Mae Weems (American, b. 1953). Untitled (Man Smoking/Malcolm X), from the Kitchen Table series, 1990. Gelatin silver print, edition 5 of 5. Brooklyn Museum, Caroline A. L. Pratt Fund, 1991.168 The exhibition Burning Down the House: Building a Feminist … Continue reading
Our First Week
At the end of last season we covered the baked brick building north of the Sacred Lake with plastic and sand to protect it and its plastered surfaces while we were gone. Our first job on January 17, our first … Continue reading
John Adams
Samuel Finley Breese Morse (American, 1791-1872). Portrait of John Adams, 1816. Oil on canvas, 29 3/4 x 24 15/16 in. (75.5 x 63.4 cm). Brooklyn Museum, 32.144. Samuel F. B. Morse’s unrelentingly factual portrait of the former president John Adams … Continue reading
Wikipedia Loves Art…continued…and a deadline coming up!
Wow, there was such a great response to my first post about prepping for Wikipedia Loves Art! Since that announcement, we’ve been joined by Art Gallery of New South Wales, the Carnegie Museum of Art, the Film Society of Lincoln … Continue reading
The First Day
We flew up to Luxor from Cairo on January 13. The view out the window was absorbing: the mountains of the eastern desert always take my breath away. And the contrast between the fertile fields and the desert edge is … Continue reading
He Could Have Been a Contender . . .
An Xiao’s concept for the 1stfans Twitter Art Feed employs the language of Morse code—one of many instances in which science and art have crossed paths. Relatively few people know that the great American inventor—and the inventor of Morse code—Samuel … Continue reading
How do you convince a free content advocate (like me) to join 1stfans?
As Will Cary notes in his post we’ve seen plenty of feedback with regard to the 1stfans Twitter Art Feed. Will and I had been saying we’d blog about our experiences, so here we go! I hit my head up … Continue reading
1stfans Twitter Art Feed as a Membership benefit
One bit of confusion that we have begun to see (<– 4 links) regarding the 1stfans Twitter Art Feed is the notion that we are “monetizing” twitter because we are “charging people” to access the feed. I think there are … Continue reading
The world through Goodyear’s eyes: photographs from the 1890’s to 1923 from the Brooklyn Museum Archives
Seeing the response to historic photographs that we have posted on Flickr Commons begs a look back on why we have these images and who created them. Being an art museum library and archives our mission is to collect and … Continue reading
Posted in Libraries & Archives
Tagged architecture, collection, egypt, flickr, flickrcommons, goodyear, history, italy, wilbour
2 Comments
Burning Down the House Artist Focus: NAYLAND BLAKE
Curator Maura Reilly installing Nayland Blake’s Untitled, 2003 in the galleries of the Elizabeth A. Sackler Center for Feminist Art with Supervising Maintainer Filippo Gentile, and Art Handler, Jason Grunwald. New York-based artist and Nayland Blake is without a doubt … Continue reading
Happy New Year from “The Fertile Goddess”
The latest exhibition in the Herstory Gallery, The Fertile Goddess, just opened on December 19, 2008. Imagine how delighted Sarah Giovanniello, Research Assistant, Elizabeth A. Sackler Center for Feminist Art, and I were to see this decoration, which Museum art … Continue reading
Posted in Elizabeth A. Sackler Center for Feminist Art
Tagged Education, fertile goddess
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