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- ico: Impressive reflection. I am starting to study this exhibition as an example of how content and media are use in...
- Deborah Wythe: Hi Jim, Thanks for the comments. Painting with broad strokes definitely leaves much room for...
- jim hayes: love the discussion. a few quibbles: not creation date, but “published” date (more...
- Gillian Williams: I am engaged in a doctoral program and I wondered where I can find an English version of the...
- Will Chandler: Thanks for the report and your good work on this delightful and amazing example of 19th Century...
Recent Posts
January 25, 2012: Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important… »January 10, 2012: What’s Behind the Green Doors?
On the first floor of the Museum, if you look to your left while waiting for the double elevators, you will notice two wide… »January 4, 2012: QR in the New Year?
A while back, I reported that we were in the process of a trial period with QR codes. We've just taken a look at the stats,… »December 28, 2011: In the Gallery vs. Online: How a Split Second Can Differ
One of the questions people always ask me is how web differs from what happens in the building and that's a difficult thing to… »December 21, 2011: Split Second: A Curator’s Reaction to the Results
I’ve had a lot of time to mull over the results of the Split Second, so here are a few of my thoughts—roughly one week… »
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Monthly Archives: August 2010
Extending Hours
It is no secret that the Brooklyn Museum’s public hours have been inconvenient to many of our visitors. From the frustrated tourist arriving on a weekday at 4:30pm only to be told, “Galleries will begin clearing in 15 minutes,” – … Continue reading
Photo Survey of Historic African Collection
Careful watchers of the museum’s online image collections may have noticed some large new batches of African works begin to pop up over the last month. This summer, with the help of Connie Jang, an intern with the Digital Collections … Continue reading
Collaborations, Continued
The current exhibition Andy Warhol: The Last Decade features some remarkable paintings that Warhol made with Jean-Michel Basquiat and Francesco Clemente in the 1980s. With the earliest of these, one artist would begin a canvas and then it was circulated … Continue reading
Brooklyn’s Finest: Gilbert Moore
For this month’s edition of Brooklyn’s Finest, I spoke to Gilbert Moore, operator of the Museum’s freight elevator. Gilbert was recommended to me for this feature by several different staff members who had discovered some interesting tidbits about his past … Continue reading
Object of the Month: August 2010: Miscegenated Family Album
It’s when a work of art is able to communicate on many different levels at the same time – when it can speak to audiences on both an emotional and intellectual level – that I often feel it’s the most … Continue reading
Hank Willis Thomas on View
Last year I blogged about a great new acquisition, Hank Willis Thomas’ “Unbranded: Reflections in Black by Corporate America.” I am thrilled that we have now installed this series of 41 photographs on the Museum’s fifth floor. It is a … Continue reading


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