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Behind-the-scenes blogging at the Brooklyn Museum -
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Recent Posts
June 11, 2013: Moving Toward a Conversation
If you've ever heard me speak at conferences you know that one of our most successful technology projects is also one of our… »June 6, 2013: The Reinstallation of the Asian and Arts of the Islamic World Galleries
If you’ve visited the second floor of the Museum recently, you may have noticed that it looks considerably more bare than… »June 5, 2013: George Grosz, Otto Dix and World War I
In my last post, I highlighted several of the many prints in the Brooklyn Museum’s collection that, like those now on view in… »May 30, 2013: German Expressionist Prints at the Brooklyn Museum
The current exhibition in the Herstory Gallery of the Elizabeth A. Sackler Center for Feminist Art features the politically… »May 7, 2013: Looking for love?
I've been at the Brooklyn Museum for about a year-and-a-half now, which is also as long as I've been a resident of our fair… »
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Author Archives: Richard Aste
Paris and Puerto Rico Unite in Brooklyn Acquisition
On June 6th, our recently acquired painting by Francisco Oller (1833-1917), the most important Puerto Rican artist of the nineteenth century, will go on view in the Museum’s 3rd-floor Beaux-Arts Court alongside Impressionist landscapes by Oller’s Paris masters and peers, … Continue reading
Refining the Russian Collection
When I arrived at the Brooklyn Museum in the spring of 2010, I began a careful review of the Russian holdings and within months my colleagues and I identified a core group of avant-garde paintings from 1860-1930, which led to … Continue reading
From Russia—To Brooklyn—With Love
The Brooklyn Museum celebrates for the first time in over eighty years its renowned collection of modern Russian paintings with its newest installation, Russian Modern. From its first modern Russian art acquisition in 1906—Vasily Vereshchagin’s raw depictions of the Russo-Turkish … Continue reading
Four Bathing Beauties, Together for the First Time
Four Bathers by Degas and Bonnard offers an intimate look at bathing scenes by Edgar Degas (1834–1917) and Pierre Bonnard (1867–1947) completed in Paris and the French Riviera between 1884 and 1925. This focused installation of four works drawn entirely … Continue reading
IDENTITY CRISIS RESOLVED
Last week at the Frick Collection in upper Manhattan, H. Perry Chapman, Professor of Art History at the University of Delaware and author of Rembrandt’s Self-Portraits: A Study in Seventeenth-Century Identity, presented “Rembrandt & Dou: Rivalry in Self-Portrayal.” In a … Continue reading
There’s a New Girl in Town
Today an American beauty goes on view in the Museum’s European Beaux-Art Court. The Virgin by the Italo-American Futurist Joseph Stella joins the Court’s Old and Modern Masters on the northern wall nestled in between Renaissance portraits of women painted … Continue reading
An Artist and his Model
So, now that you know Rossetti’s Silence is on view for a limited time in the Museum’s Beaux-Arts Court, let’s enhance your visit by getting to know the artist, his model, and the story behind this late Victorian masterpiece. Dante … Continue reading
Silence on View
Beginning today, Dante Gabriel Rossetti’s Silence, one of the Brooklyn Museum’s finest European works on paper, will be on view for the first time in nearly 40 years in the third-floor Beaux-Arts Court (the European paintings gallery). Dante Gabriel Rossetti … Continue reading
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