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Behind-the-scenes blogging at the Brooklyn Museum -
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Recent Posts
May 7, 2013: Looking for love?
I've been at the Brooklyn Museum for about a year-and-a-half now, which is also as long as I've been a resident of our fair… »April 30, 2013: Fund for African American Art: New Acquisition
As many of you know, the Brooklyn Museum launched the Fund for African American Art a few years ago. This ambitious initiative,… »April 25, 2013: Teaching with a 3D Simulacrum
When Shelley and David brought up the idea of 3D printing, my not-so-inner tech geek and my really-blatantly-outer education… »April 18, 2013: Join us at #table17
The Brooklyn Artists Ball is coming up next week and it's an event that we are super excited about; this year's ball celebrates… »April 17, 2013: Replicating a 19th Century Statue with 21st Century Tech
My first exposure to the world of 3D printing took place in 2009 approximately 500 feet under the Earth's surface in a former… »
Most Active Authors
- Alisa Martin
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Author Archives: Terry Carbone
Out of Africa, 1926: Malvina Hoffman and a Senegalese Soldier
In his newly opened installation Rumination, Raw/Cooked artist Duron Jackson has included Senegalese Soldier(28.385), a remarkable work by the early-twentieth-century sculptor Malvina Hoffman. Placed in close proximity with Jackson’s Blackboard Paintings—abstracted aerial views of American prisons—Hoffman’s larger than life-sized bust … Continue reading
Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important article of clothing during the Jazz Age was the bathing suit. Twenties artists were drawn to swimmers because the new, revealing swimsuits—made … Continue reading
Cover Guy: Paul Cadmus by Luigi Lucioni
This face may look familiar to you . . . ! As our signature image for Youth and Beauty: Art of the American Twenties. Luigi Lucioni’s stellar portrait of his friend and colleague, Paul Cadmus, is reproduced on BIG posters … Continue reading
Architectural Fragments in the Brooklyn Museum Collection
We understand that you may have questions about the recent article in The Atlantic Monthly about the Museum’s Architectural Fragment collection. To begin, The Brooklyn Museum regrets that the author’s comments do not reflect the substantive content of his hours … Continue reading
Jonas Platt
Samuel Finley Breese Morse (American, 1791-1872). Jonas Platt, 1828. Oil on canvas, 35 15/16 x 29 7/16 in. (91.3 x 74.8 cm). Brooklyn Museum, 85.23. By the mid-1820s, Samuel F. B. Morse finally had achieved in his portraits a more … Continue reading
John Adams
Samuel Finley Breese Morse (American, 1791-1872). Portrait of John Adams, 1816. Oil on canvas, 29 3/4 x 24 15/16 in. (75.5 x 63.4 cm). Brooklyn Museum, 32.144. Samuel F. B. Morse’s unrelentingly factual portrait of the former president John Adams … Continue reading
He Could Have Been a Contender . . .
An Xiao’s concept for the 1stfans Twitter Art Feed employs the language of Morse code—one of many instances in which science and art have crossed paths. Relatively few people know that the great American inventor—and the inventor of Morse code—Samuel … Continue reading
Destination Paintings . . . as Featured on Sunday Arts
In planning our spots for Channel 13, we faced the challenge of choosing two particularly engaging paintings from among the many works on view objects in our American Art galleries. We often select groups of works for inclusion in the … Continue reading
Brushed with Light: American Landscape Watercolors from the Collection
One of the great challenges of working with the Brooklyn Museum’s large and important collection of American watercolors is determining how best to share it with our audience. Like most works of art on paper, the watercolors are vulnerable to … Continue reading
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