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Behind-the-scenes blogging at the Brooklyn Museum -
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- Beth Harris: This is brilliant! It’s so important to see art as a process, and to see it as part of a practice...
- Shelley Bernstein: I’ll definitely be taking you up on that, Rik, and it will be great to see you when I do.
- rik panganiban: I’m so so sad to read this, particularly now that I am a “museum professional.” I...
- Shelley Bernstein: Working on this with you has been one of the best experiences of my professional career. Cheers,...
- Will Cary: Shelley, thanks for blogging about this and, as always, for being transparent and honest. When we started,...
Recent Posts
May 22, 2012: Let’s GO
Over the years many people have asked me if we'd do Click! again and my general response has been to say that we wouldn't do a… »May 17, 2012: Meet Another Charming Lady
All of us were a little sad to see “Bird Lady” go, even if it is only for a brief period of time, but we were able to take… »May 15, 2012: Santi Moix
Perched high on a lift in the fourth floor contemporary galleries, Brooklyn-based artist Santi Moix is drawing directly on the… »May 15, 2012: Connecting Cultures Through Books!
The presence of three books in the new Connecting Cultures installation gives me a welcome opportunity to talk about these… »May 11, 2012: A Sunset for 1stfans
It's been roughly three and half years since Will Cary and I started the 1stfans Membership program at the Museum; come July,… »
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Author Archives: Terry Carbone
Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important article of clothing during the Jazz Age was the bathing suit. Twenties artists were drawn to swimmers because the new, revealing swimsuits—made … Continue reading
Cover Guy: Paul Cadmus by Luigi Lucioni
This face may look familiar to you . . . ! As our signature image for Youth and Beauty: Art of the American Twenties. Luigi Lucioni’s stellar portrait of his friend and colleague, Paul Cadmus, is reproduced on BIG posters … Continue reading
Architectural Fragments in the Brooklyn Museum Collection
We understand that you may have questions about the recent article in The Atlantic Monthly about the Museum’s Architectural Fragment collection. To begin, The Brooklyn Museum regrets that the author’s comments do not reflect the substantive content of his hours … Continue reading
Jonas Platt
Samuel Finley Breese Morse (American, 1791-1872). Jonas Platt, 1828. Oil on canvas, 35 15/16 x 29 7/16 in. (91.3 x 74.8 cm). Brooklyn Museum, 85.23. By the mid-1820s, Samuel F. B. Morse finally had achieved in his portraits a more … Continue reading
John Adams
Samuel Finley Breese Morse (American, 1791-1872). Portrait of John Adams, 1816. Oil on canvas, 29 3/4 x 24 15/16 in. (75.5 x 63.4 cm). Brooklyn Museum, 32.144. Samuel F. B. Morse’s unrelentingly factual portrait of the former president John Adams … Continue reading
He Could Have Been a Contender . . .
An Xiao’s concept for the 1stfans Twitter Art Feed employs the language of Morse code—one of many instances in which science and art have crossed paths. Relatively few people know that the great American inventor—and the inventor of Morse code—Samuel … Continue reading
Destination Paintings . . . as Featured on Sunday Arts
In planning our spots for Channel 13, we faced the challenge of choosing two particularly engaging paintings from among the many works on view objects in our American Art galleries. We often select groups of works for inclusion in the … Continue reading
Brushed with Light: American Landscape Watercolors from the Collection
One of the great challenges of working with the Brooklyn Museum’s large and important collection of American watercolors is determining how best to share it with our audience. Like most works of art on paper, the watercolors are vulnerable to … Continue reading
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