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Behind-the-scenes blogging at the Brooklyn Museum -
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- Shelley Bernstein: Hi Sarah, We don’t use the ipod touches for tours because of a lot of these issues. Most...
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Recent Posts
June 11, 2013: Moving Toward a Conversation
If you've ever heard me speak at conferences you know that one of our most successful technology projects is also one of our… »June 6, 2013: The Reinstallation of the Asian and Arts of the Islamic World Galleries
If you’ve visited the second floor of the Museum recently, you may have noticed that it looks considerably more bare than… »June 5, 2013: George Grosz, Otto Dix and World War I
In my last post, I highlighted several of the many prints in the Brooklyn Museum’s collection that, like those now on view in… »May 30, 2013: German Expressionist Prints at the Brooklyn Museum
The current exhibition in the Herstory Gallery of the Elizabeth A. Sackler Center for Feminist Art features the politically… »May 7, 2013: Looking for love?
I've been at the Brooklyn Museum for about a year-and-a-half now, which is also as long as I've been a resident of our fair… »
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Author Archives: Terry Carbone
Out of Africa, 1926: Malvina Hoffman and a Senegalese Soldier
In his newly opened installation Rumination, Raw/Cooked artist Duron Jackson has included Senegalese Soldier(28.385), a remarkable work by the early-twentieth-century sculptor Malvina Hoffman. Placed in close proximity with Jackson’s Blackboard Paintings—abstracted aerial views of American prisons—Hoffman’s larger than life-sized bust … Continue reading
Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important article of clothing during the Jazz Age was the bathing suit. Twenties artists were drawn to swimmers because the new, revealing swimsuits—made … Continue reading
Cover Guy: Paul Cadmus by Luigi Lucioni
This face may look familiar to you . . . ! As our signature image for Youth and Beauty: Art of the American Twenties. Luigi Lucioni’s stellar portrait of his friend and colleague, Paul Cadmus, is reproduced on BIG posters … Continue reading
Architectural Fragments in the Brooklyn Museum Collection
We understand that you may have questions about the recent article in The Atlantic Monthly about the Museum’s Architectural Fragment collection. To begin, The Brooklyn Museum regrets that the author’s comments do not reflect the substantive content of his hours … Continue reading
Jonas Platt
Samuel Finley Breese Morse (American, 1791-1872). Jonas Platt, 1828. Oil on canvas, 35 15/16 x 29 7/16 in. (91.3 x 74.8 cm). Brooklyn Museum, 85.23. By the mid-1820s, Samuel F. B. Morse finally had achieved in his portraits a more … Continue reading
John Adams
Samuel Finley Breese Morse (American, 1791-1872). Portrait of John Adams, 1816. Oil on canvas, 29 3/4 x 24 15/16 in. (75.5 x 63.4 cm). Brooklyn Museum, 32.144. Samuel F. B. Morse’s unrelentingly factual portrait of the former president John Adams … Continue reading
He Could Have Been a Contender . . .
An Xiao’s concept for the 1stfans Twitter Art Feed employs the language of Morse code—one of many instances in which science and art have crossed paths. Relatively few people know that the great American inventor—and the inventor of Morse code—Samuel … Continue reading
Destination Paintings . . . as Featured on Sunday Arts
In planning our spots for Channel 13, we faced the challenge of choosing two particularly engaging paintings from among the many works on view objects in our American Art galleries. We often select groups of works for inclusion in the … Continue reading
Brushed with Light: American Landscape Watercolors from the Collection
One of the great challenges of working with the Brooklyn Museum’s large and important collection of American watercolors is determining how best to share it with our audience. Like most works of art on paper, the watercolors are vulnerable to … Continue reading
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