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Behind-the-scenes blogging at the Brooklyn Museum -
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Recent Comments
- ico: Impressive reflection. I am starting to study this exhibition as an example of how content and media are use in...
- Deborah Wythe: Hi Jim, Thanks for the comments. Painting with broad strokes definitely leaves much room for...
- jim hayes: love the discussion. a few quibbles: not creation date, but “published” date (more...
- Gillian Williams: I am engaged in a doctoral program and I wondered where I can find an English version of the...
- Will Chandler: Thanks for the report and your good work on this delightful and amazing example of 19th Century...
Recent Posts
January 25, 2012: Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important… »January 10, 2012: What’s Behind the Green Doors?
On the first floor of the Museum, if you look to your left while waiting for the double elevators, you will notice two wide… »January 4, 2012: QR in the New Year?
A while back, I reported that we were in the process of a trial period with QR codes. We've just taken a look at the stats,… »December 28, 2011: In the Gallery vs. Online: How a Split Second Can Differ
One of the questions people always ask me is how web differs from what happens in the building and that's a difficult thing to… »December 21, 2011: Split Second: A Curator’s Reaction to the Results
I’ve had a lot of time to mull over the results of the Split Second, so here are a few of my thoughts—roughly one week… »
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Author Archives: Terry Carbone
Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important article of clothing during the Jazz Age was the bathing suit. Twenties artists were drawn to swimmers because the new, revealing swimsuits—made … Continue reading
Cover Guy: Paul Cadmus by Luigi Lucioni
This face may look familiar to you . . . ! As our signature image for Youth and Beauty: Art of the American Twenties. Luigi Lucioni’s stellar portrait of his friend and colleague, Paul Cadmus, is reproduced on BIG posters … Continue reading
Architectural Fragments in the Brooklyn Museum Collection
We understand that you may have questions about the recent article in The Atlantic Monthly about the Museum’s Architectural Fragment collection. To begin, The Brooklyn Museum regrets that the author’s comments do not reflect the substantive content of his hours … Continue reading
Jonas Platt
Samuel Finley Breese Morse (American, 1791-1872). Jonas Platt, 1828. Oil on canvas, 35 15/16 x 29 7/16 in. (91.3 x 74.8 cm). Brooklyn Museum, 85.23. By the mid-1820s, Samuel F. B. Morse finally had achieved in his portraits a more … Continue reading
John Adams
Samuel Finley Breese Morse (American, 1791-1872). Portrait of John Adams, 1816. Oil on canvas, 29 3/4 x 24 15/16 in. (75.5 x 63.4 cm). Brooklyn Museum, 32.144. Samuel F. B. Morse’s unrelentingly factual portrait of the former president John Adams … Continue reading
He Could Have Been a Contender . . .
An Xiao’s concept for the 1stfans Twitter Art Feed employs the language of Morse code—one of many instances in which science and art have crossed paths. Relatively few people know that the great American inventor—and the inventor of Morse code—Samuel … Continue reading
Destination Paintings . . . as Featured on Sunday Arts
In planning our spots for Channel 13, we faced the challenge of choosing two particularly engaging paintings from among the many works on view objects in our American Art galleries. We often select groups of works for inclusion in the … Continue reading
Brushed with Light: American Landscape Watercolors from the Collection
One of the great challenges of working with the Brooklyn Museum’s large and important collection of American watercolors is determining how best to share it with our audience. Like most works of art on paper, the watercolors are vulnerable to … Continue reading
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