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Behind-the-scenes blogging at the Brooklyn Museum -
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Recent Comments
- ico: Impressive reflection. I am starting to study this exhibition as an example of how content and media are use in...
- Deborah Wythe: Hi Jim, Thanks for the comments. Painting with broad strokes definitely leaves much room for...
- jim hayes: love the discussion. a few quibbles: not creation date, but “published” date (more...
- Gillian Williams: I am engaged in a doctoral program and I wondered where I can find an English version of the...
- Will Chandler: Thanks for the report and your good work on this delightful and amazing example of 19th Century...
Recent Posts
January 25, 2012: Ready-to-Wear: An Eye on 20s Fashion
First impressions of the exhibition Youth and Beauty: Art of the American Twenties might suggest that the only important… »January 10, 2012: What’s Behind the Green Doors?
On the first floor of the Museum, if you look to your left while waiting for the double elevators, you will notice two wide… »January 4, 2012: QR in the New Year?
A while back, I reported that we were in the process of a trial period with QR codes. We've just taken a look at the stats,… »December 28, 2011: In the Gallery vs. Online: How a Split Second Can Differ
One of the questions people always ask me is how web differs from what happens in the building and that's a difficult thing to… »December 21, 2011: Split Second: A Curator’s Reaction to the Results
I’ve had a lot of time to mull over the results of the Split Second, so here are a few of my thoughts—roughly one week… »
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Author Archives: Rachel Danzing
Repairing the Book of the Dead
Repairing papyrus can be a little like putting a jigsaw puzzle together. In order to make sense of the many small pieces at hand, we take advantage of the various examination techniques we have here in the lab. One method … Continue reading
Posted in Conservation, Egyptian Art
Tagged bookofthedead, egypt, mummychamber, papyrus
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Radiocarbon (carbon-14) Dating of Book of the Dead of Sobekmose
Our research to further understand the Book of the Dead of the Goldworker Amun, Sobekmose continues. Carbon-14 (C-14) dating was one of the first scientific analytical techniques that we employed to confirm the date for this piece, thought to be … Continue reading
Pigments and Inks Typically Used on Papyrus
This is the third blog post on the Museum’s extraordinary New Kingdom papyrus, the Book of the Dead of the Goldworker Amun, Sobekmose. My colleagues previously posted blogs on what exactly papyrus is, how it was made and formatted into … Continue reading
Conserving Watercolors: Under the Microscope
In my previous post, I discussed how an adhesive introduced with an ultrasonic mister can be used to stabilize paint layers. Now you can see that close up as illustrated here of another watercolor in the exhibition, Quarry by William … Continue reading
Conserving Watercolors: Misting to Stabilize Paint Layers
In preparation for the Museum’s current exhibition, Brushed With Light, conservators in the Paper Conservation Department examined over ninety watercolors. It was great to work on familiar works as well as those never examined or exhibited before. A common condition … Continue reading
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