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All posts by Sarah Giovanniello

Sarah Giovanniello

Sarah Giovanniello is the Research Assistant at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she assists the Curator of the Center with exhibitions, a growing permanent collection that includes The Dinner Party by Judy Chicago, public programs, and projects related to feminism, feminist art, and the collection. Since 2008, she has worked on numerous exhibitions, including Kiki Smith: Sojourn, Healing the Wounds of War: The Brooklyn Sanitary Fair of 1864, Ghada Amer: Love Has No End, Reflections on the Electric Mirror: New Feminist Video, and Seductive Subversion: Women Pop Artists, 1958–1968. In 2009, she organized the mounting of Jen DeNike's TWIRL at the Museum for PERFORMA09. She has worked on numerous public programs, her favorites of which include making ourselves visible: a project in feminist space making with artists Liz Linden and Jen Kennedy, and the 2008 Emerging Scholars Feminist Art Symposium, Feminism NOW. As Research Assistant, she manages the Feminist Art Base and posts to the Brooklyn Museum blog on topics related to the Center's programs, projects, and exhibitions. Sarah holds an M.A. in Performance Studies from NYU and a B.A. from Bryn Mawr College.

Patricia Cronin and Harriet Hosmer Meet Across Generations

In the Herstory Gallery, Patricia Cronin’s luminous watercolors series has captivated many visitors since the exhibition opened last June. This is the last weekend to…

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Jen DeNike and PERFORMA are “happening” at First Saturday

Academic Programs Coordinator Eleanor Whitney and artist Jen DeNike conduct a walkthrough of the Rubin Pavillion and Lobby in preparation for TWIRL. For months, the…

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“Body Language: Brooklyn Museum”: A Mother’s Day Performance by the True Body Project

The True Body Project. Photograph courtesy True Body Project. Copyright Esther Freeman, True Body class of 2005. This Mother’s Day program has grown out of…

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“Feminism Now: New Feminist Art Scholarship” Symposium Tomorrow!

Tomoko Sawada (Japanese, b. 1977). Untitled, from the OMIAI series, 2001. Chromogenic photographs. On Loan from the Arthur M. Sackler Collections in honor of the…

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Burning Down the House Artist Focus: CARRIE MAE WEEMS

Carrie Mae Weems (American, b. 1953). Untitled (Man Smoking/Malcolm X), from the Kitchen Table series, 1990. Gelatin silver print, edition 5 of 5. Brooklyn Museum,…

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Burning Down the House Artist Focus: NAYLAND BLAKE

Curator Maura Reilly installing Nayland Blake’s Untitled, 2003 in the galleries of the Elizabeth A. Sackler Center for Feminist Art with Supervising Maintainer Filippo Gentile,…

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An Ongoing Series of Panels on Human Trafficking

In the autumn of 2008, the Elizabeth A. Sackler Center for Feminist Art began an ongoing series on the serious and epidemic issue of sex…

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Ghada Amer and Reza Farkhondeh’s Artistic Collaboration

As part of September public programming here at the Center for Feminist Art, Ghada Amer and Reza Farkhondeh stopped by the Forum on Saturday, September…

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A Public Programs Recap for July!

July was a hot month for programming in the Elizabeth A. Sackler Center for Feminist Art! First off, Ladan Akbarnia, Hagop Kevorkian Associate Curator of…

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Ghada Amer’s Political Work

(Ghada Amer (American, born Egypt, 1963) and Ladan S. Naderi (French, born Iran, 1960). I ♥ Paris, 1991. Three chromogenic prints from a series of…

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Reflections on June Public Programs in the Center!

June was a rather fruitful month for programs in the Elizabeth A. Sackler Center for Feminist Art! On Target First Saturday we listened to Ghada…

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Ghada Amer: Happily Ever After?

(Ghada Amer (American, Born Egypt, 1963). And the Beast, 2004. Acrylic, embroidery, and gel medium on canvas. Collection of the artist, courtesy of Gagosian Gallery….

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Esther Hobart Morris: A Suffragette Remembered

In conjunction with the Votes for Women exhibition in the Herstory Gallery, we are always looking for more stories about the many unsung pioneers of…

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The Elizabeth A. Sackler Center’s First Year Anniversary

The Elizabeth A. Sackler Center for Feminist Art celebrated its one year anniversary on March 15th, 2007 during Women’s History with some truly amazing and…

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Lorraine O’Grady on the Web

(Lorraine O’Grady, Mlle Bourgeoise Noire, 1981, Performance at the New Museum of Contemporary Art, New York. Photo courtesy of Lorraine O’Grady.) Young scholars of art…

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