Author Archives: Caitlin Jenkins

Author profile

About Caitlin Jenkins

Caitlin Jenkins is currently the Andrew W. Mellon Fellow in Paper Conservation at the Brooklyn Museum. She received her M.A. in Art Conservation from Buffalo State College in NY and before coming to the museum she held positions and completed internships in a variety of other conservation labs at institutions including the National Gallery of Art in Washington, D.C., the Northeast Document Conservation Center in Andover, MA, the Ackland Art Museum in Chapel Hill, NC and the Wilson Library, also in Chapel Hill. She received B.A.s in Art History and in Historic Preservation from Mary Washington College.

Looking for Adhesives and Identifying Binders in the Book of the Dead Using FTIR

Another scientific analytical technique commonly used in art conservation is called Fourier-transform Infrared Spectroscopy, or FTIR.  The Brooklyn Museum’s Paper Conservation Lab employed this technique to continue analysis of the Brooklyn Museum’s Book of the Dead of the Goldworker of … Continue reading

Posted in Conservation, Egyptian Art | Tagged , , , | 7 Comments

Analyzing Pigments in the Book of the Dead Using XRF Spectroscopy

One of the many scientific analytical techniques used in art conservation is called X-ray Fluorescence Spectroscopy, or XRF.  The Paper Conservation Lab here at the Brooklyn Museum is using this technique to study the Brooklyn Museum’s Book of the Dead … Continue reading

Posted in Conservation, Egyptian Art | Tagged , , , | 17 Comments

Making Papyrus in the Conservation Lab

Before we began treatment on the Book of the Dead of the Goldworker of Amun, Sobekmose papyrus scroll, the staff of the paper conservation lab decided to make our own papyrus sheets.  As with any conservation treatment that we do, … Continue reading

Posted in Conservation, Egyptian Art | Tagged , , , | 4 Comments

Sun Bleaching in the Sculpture Garden

What is the Brooklyn Museum’s important Arshile Gorky lithograph doing outdoors?  And why is it immersed in water?  I received these questions many times from museum visitors and employees who strolled by my light-bleaching set-up outside the building’s staff entrance … Continue reading

Posted in Conservation, Contemporary Art | 7 Comments