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January 15, 2007

Behind the Scenes: Devorah Sperber

Shelley Bernstein @ 12:02 pm


Created with Admarket’s flickrSLiDR. Having trouble seeing the slideshow? Photos are also at Flickr.

New York artist Devorah Sperber works with assistants and art handlers to install After The Last Supper, one of her multi-colored thread-spool installations at the Brooklyn Museum.

Using spools of thread, Sperber creates a pixilated, three-dimensional, inverted image of a masterpiece, which appears as a colorful abstract to the naked eye. Once viewed with an optical device, however, the work becomes immediately recognizable as the famous painting, a full-scale recreation of Leonardo da Vinci’s The Last Supper. Sperber deconstructs familiar images so that the brain can reconstruct them.

The Eye of the Artist: The Work of Devorah Sperber
January 26–May 6, 2007

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January 5, 2007

Can you hear me now?

Shelley Bernstein @ 9:28 am

joelle.jpg

Joelle, the Museum’s Network Administrator, tests cellular signal from our rooftop.

When the Elizabeth A. Sackler Center for Feminist Art opens in March 2007, we will be delivering the Center’s audio guide content via cell phone. Problem is, we don’t get cell service within our building’s very thick walls. By installing several antennas on the roof, we can grab existing outdoor cellular signal and bring it directly into the galleries.

Luckily we get a strong enough signal up here to funnel it inside, so there will be no dropped calls as our visitors listen to The Dinner Party audio tour.

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