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December 26, 2007

The Mut Expedition 2008 – we’re off!

Richard Fazzini @ 12:10 pm

The Brooklyn team leaves at the end of the month for another 2½-month season of work at the temple precinct of the goddess Mut in south Karnak. We’re all looking forward to the work, to seeing old friends that we only see in Egypt.

Starting in January we’ll be posting a weekly dig diary, as we have the past few years. If you want to follow the Brooklyn team’s work, check the website on Fridays starting in January. If you aren’t familiar with the precinct and the Brooklyn Museum’s work there, check out the Mut Expedition part of the museum’s website.

In the meantime, here’s a brief overview of the work we are planning for 2008 – just to whet your appetites. (more…)

December 24, 2007

Facebook Pages…continued

Shelley Bernstein @ 10:08 am

Following up on this post, we’ve had some great news on a few applications that are now ready for pages.

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If you’ve got a YouTube account and want to port videos, try YouTube Box by Tim Nilson. The great thing here is you can pull in the video description as well as the embed code, so folks never need to leave Facebook in order to play your videos.

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If you want to integrate your Flickr photos, My Flickr by Kaleb Fulgham will do the trick. If you’ve been using this application on your personal account, then you know how great it is. Totally flexible in allowing you to port over photos in any number of ways.

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Kaleb Fulgham has also developed another application that we really needed, My del.icio.us. This app can port your bookmarks from deli.icio.us - tags and all.

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Lastly, if you are in a NYC-based org…check out Subway Status by Plastic Past. This beauty will let you display your MTA subway lines right on the page. In addition to the train lines, the station can also be displayed and you can add comments about your stop, so we naturally added the information about our Arts for Transit collaboration.

All of these applications have really helped make for a full featured page.  By the way, Facebook pages are fully open to the public and indexable by search engines, so there’s no need for people to have Facebook accounts in order to see the content.

December 21, 2007

Join the “Goodbye Coney Island?” Flickr Group!

Eleanor Whitney @ 12:16 pm

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I am very excited that Patrick Amsellem, curator of photography, is working with us on a web project in conjunction with the Goodbye Coney Island? exhibition he curated in the Luce Visible Storage-Study Center. We have created a Goodbye Coney Island? Flickr group which photographers can join and submit their best photo of Coney Island. From this pool Patrick will select four photos to feature in his posts on our blog throughout the run of the show.

This idea came about because the other day I joined Patrick for a discussion of Goodbye Coney Island? and he spoke about the popularity of Coney Island throughout the years as a subject for both American and International photographers. I am a casual photographer, and his comment reminded me how much I enjoy going to Coney Island to take pictures with my Polaroid, Holga and digital cameras. Every time I am there I see countless other photographers strolling the boardwalk in search of the perfect shot to capture the Coney Island’s essence. What a better way to pay homage to this fabled part of New York, I thought, than to engage some of the photographers in our community in conjunction with this exhibition of more than fifty photographs from the Brooklyn Museum’s holdings that traces its evolution over the past 125 years. We look forward to seeing the photographs everyone will choose to post!

To participate please join the Goodbye Coney Island? group on Flickr: (more…)

December 20, 2007

Coney Island & Entertainment

Patrick Amsellem @ 3:57 pm


Coney Island has a long history as a place for entertainment. Even before the creation of the three great amusement parks around 1900, the area was enormously popular with visitors looking for fun. The first inn, Coney Island House, was established in the island’s Gravesend section, to the east, in 1829. Guests arrived by stagecoach, and the journey from the city was often grueling and time-consuming. By the 1840s, a daily ferry connection to the western part of the island brought visitors to Coney Island Pavilion, an early pleasure dome offering dancing, dining, and bathing. The eastern edge of the island catered to a middle-class and wealthier audience, but the western part, known as Norton’s Point and the site of present-day Seagate, was closer to Manhattan and attracted a much broader range of people. Excursion boats and ferries were still the most convenient modes of transportation, with just about an hour’s ride from Fulton Ferry or Peck Slip in Manhattan, but the railroad soon became an efficient competitor. With the arrival of the first rail lines in the 1860s, bars, music halls, and entertainment contributed to the grittiness, especially around the terminus, where many small hotels and taverns – Peter Tilyou’s Surf House is an example – opened up. By the late 1870s Coney Island was one of the most visited summer resorts in the United States; an estimated one hundred thousand people visited on the Fourth of July in 1879. It was one of the few resorts that attracted people from all different social and economic backgrounds, including the poor urban working class, which was afforded some leisure time toward the end of the nineteenth century, with a decreased number of working hours and often Saturdays as well as Sundays off.

After establishing Surf House, the Tilyou family in 1882 developed the Bowery, a lane that ran parallel to Coney Island’s main drag, Surf Avenue, between West Tenth and West Sixteenth streets. It was famous for its gambling, dance palaces, concert halls, burlesque theater, and sideshows with snake charmers, jugglers, and acrobats, as well as many independently operated concession stands, arcades, and carousels. From the 1860s through the 1890s, the west end of the island attracted a very mixed crowd, including many prostitutes and criminal gangs, and this part of Coney came to be known as Sodom by the Sea. Nearby attractions such as the Midget’s Palace, a Convention of Curiosities (essentially a “freak show”), a Camera Obscura (where moving images from the surrounding area were projected onto a revolving screen), roller coasters and other thrilling mechanical rides, and spectacular nighttime fireworks contributed to Coney’s immense popularity well before the creation of Steeplechase, Luna Park or Dreamland, the great amusement parks of the turn of the century.

Sea bathing was another important aspect of early entertainment at Coney Island. It started in eighteenth-century Britain as a fashionable upper-class pursuit of health, an extension of the spa experience. Growing in popularity in the second half of the nineteenth century, especially after the seaside became more accessible through public transportation, sea bathing soon became associated with pleasure more than health and spread to the working classes. Mixed bathing was frowned on until the mid-nineteenth century, and although it was acceptable for men and women to swim together at the turn of the twentieth century, they were expected to be more or less fully covered. Bathers were advised to wear woolen or flannel bathing suits, and both men and women were prohibited from exposing the nipples. At this time, public beaches with free access existed only on the far edges of the island. The high-end hotels had their own facilities on the east end while the west side was lined with bathhouses such as Balmer’s. Visitors to the bathhouses paid to use lockers and to get access to the beach, where long ropes attached to poles a hundred feet offshore provided a safer experience in the surf.

As Julian Ralph wrote about Coney in Scribner’s Magazine in July 1896: “It is New York’s resort almost exclusively; our homeopathic sanitarium, our sun-bath and ice-box combined, our extra lung, our private, gigantic fan.”

Slideshow created with Admarket’s flickrSLiDR. Having trouble seeing the slideshow? Photos are also on Flickr.

December 18, 2007

The Schenck Houses – their story through the Museum Library and Archives

Tara Cuthbert @ 10:12 am

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Drawing by Daniel M. C. Hopping. From the book American interiors, 1675-1885: a guide to the American
period rooms in the Brooklyn Museum by Marvin D. Schwartz.

Museum libraries and archives are rich storehouses of textual and visual information. This is very true of the Brooklyn Museum Libraries and Archives which function as the “story tellers” of the Museum by providing histories about objects in the collection of the Brooklyn Museum. Hidden within the Libraries and Archives are a myriad of stories concerning the Schenck houses, which were recently renovated and reinstalled on the fourth floor of the Museum.

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Photograph by Reverend William Edward Schenck. From Account of my trips to Holmdel, N.J. & Flatlands, L.I. by William Edward Schenck.

One can find several fascinating books, photographs and other documents in the Libraries and Archives that tell about the Schenck family and the houses they lived in. Highlights include photographs from the Historic American Building Survey and an original journal by Jane Malbone Schenck who wrote about what her life was like in Brooklyn in the 1800’s. A selection of these documents are currently on view in the Library display cases on the second floor of the Museum.

These documents are of great interest to many, including architectural historians of Brooklyn who want to know what Brooklyn looked like when the Schenck houses were built more than 330 years ago. These documents tell us about the houses, the transfer of owners and families and the re-emerging of the architecture through refurbishments and significant structural transformations. The photographs tell us about the transformation of the surrounding landscape from sweeping meadows to a Brooklyn neighborhood. They also provide evidence of how the houses have looked as they have been installed at the Brooklyn Museum.

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Jan Martense Schenck House reinstallation. Brooklyn Museum Archives. Records of the Department of Decorative Arts.
Exhibitions: Schenck House reinstallation, 1971.

2008 is the 185th anniversary of the founding of this institution as a library (the Brooklyn Apprentice’s Library) and we are planning a series of talks about the history of the Library and the rare and unique collections held in this repository. We will be focusing on the materials related to the Schenck family in this upcoming series. Please email us at library@brooklynmuseum.org if you would like to know more about the talk or Schenck related materials in the Libraries and Archives.

For a complete history on the Schenck Houses, see Kevin Stayton’s book, Dutch by design : tradition and change in two historic Brooklyn houses : the Schenck houses at The Brooklyn Museum, available in the Museum Libraries. Additional installation images of the Schenck house can be found in our online exhibition index.

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