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What we do know about Ida Jackson can be found in an intriguing and beautiful diary found in the Brooklyn Museum Library’s Special Collections. The book came into the Museum’s collection in 1945 from Lawrence B. Romaine, who wrote an accompanying text about Ida Jackson. The book offers a view into an American woman’s life from 1858 to 1917 as well as insight into what women wore during that time period.

Beyond handwritten inscriptions you would normally expect to find in a diary, Ida Jackson’s Diary contains: photographs of herself, her family and friends as well as her homes and church, programs from musical soirées and postcards. The diary also includes clippings from 19th century fashion magazines showing images of a variety of dresses, skirts, shirts and entire outfits.

But what I feel is most compelling about this book are the remarkably well-preserved fabric swatches and trimming samples Ida cut from her own clothing throughout her life and carefully glued onto the page. Having been enclosed in the pages of this book for all of these years the fabric and trimming samples have been protected from the harmful fading effects of light exposure so these swatches and samples seem as vivid as the day they were worn. One really should see the book in person to appreciate the tactile quality of the swatches and to experience the charm of the entire document. You can visit the us to see the original document by sending an e-mail.

The first page of the diary, which Ida assembled in retrospect, is dated 1858 when she was 3 years old. The book continues to tell her story up to the final entry in 1917 when she was 62, she died in 1927. The inscriptions which are found throughout the book reveal a number of clues which intertwine personal memories with fashion history.

Clues about the dresses history:
“Formerly mamma’s first dress papa brought for her after their marriage.”

Clues about the use of the outfit:
“Cycling and rainy day dress, trimmed with black and braid panel.”

Clues about popular fashions at the time:
“Wore above draped over black mohair skirt when overskirts began to come into fashion.”

Facsimile pages from Ida Jackson’s Dress Diary will be on view at Proteus Gowanus in their MEND exhibition which opens tomorrow.

One of the delights in preserving the Libraries and Archives collections at the Brooklyn Museum is that I am so often pleasantly surprised at what I find in a book or a box. A while back I opened two boxes from the collection of the Library’s special collections simply marked, “Bookplates”. It was a collection of miscellaneous bookplates dating from the 1770’s to the 1940’s. These bookplates are created in a variety of media including etchings, engravings, linoleum blocks and woodcuts. This collection was donated to the Museum over the years when the Print Department was actively collecting and exhibiting examples of printing. Unfortunately, most of the bookplates in this collection are not signed by the artist, but can only be identified by the owner of the bookplate. Here are the highlights:

Created with Admarket’s flickrSLiDR.

Since I have had bookplates on the brain, I recently came across this wonderful blog dedicated to bookplates and I most certainly bookmarked it. It’s funny how a few ‘book’ terms like bookmark and web page have made it into our everyday computer lexicon. One wonders what will happen to terms like dog-eared, deckle edge and a personal favorite, double elephant folio (that’s a book up to 50 inches or 4 feet!) in the digital future. As one also wonders what will come of the art of the bookplate. Here’s a website of the American Society of Bookplate Collectors & Designers. Finally, here is a site with a glossary of book terms.