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The first time I came across the statues that sit along the top of the building was when I digitized images of the Museum’s exterior as an intern in the Archives. It was great to see some of the early images of the building and to see how it developed and changed over the years. The statues are part of our Museum’s history and a frequently asked research topic at the Libraries and Archives. When I was thinking about this post, I was curious to see what types of questions we’ve received in the past, so I took a look at some of our old reference request forms. Yes, in typical archives fashion we keep these forms and they can be very useful, such as in this situation. The questions about the statues include inquiries about specific sculptors, the meaning of the statues, who created them, and when and how they were made. Here’s a little background information on the creation of the statues.

McKim, Mead & White, the architects of the Museum, included the statues as part of the Museum’s original design. The statues and the unrelated names inscribed below them were meant to represent notable aspects in the history of civilization. The statues in particular were symbolic and not intended to be portraits. This is visually reinforced by the fact that the statues and the names are not aligned, but staggered (see photo above).

Daniel Chester French in his workshop. Photo Collection: Museum building: exteriors [02].

The noted sculptor Daniel Chester French was given the responsibility of creating thirty statues of allegorical figures representing Persian, Indian, Chinese, Japanese, Hebrew, Greek and Roman subjects. He enlisted a group of highly-regarded sculptors to assist him with the project (Edmund T. Quinn, Attilio Piccirili, Edward C. Potter, Karl Bitter, Janet Scudder, Augustus Lukeman, Charles Keck, George T. Brewster, Kenyon Cox, Herbert Adams, John Gelert, and Charles A. Heber). The finished statues were installed in 1909.

Finished statues being hoisted into position. Photo Collection: Museum building: exteriors [02].

Because of the continuing interest in the statues, we thought it might be a good idea to put together some images and information on them. This was a group effort which included various departments (Information Systems, Digital Collections and Services, Conservation, Planning and Libraries and Archives). See below for additional images and resources. Hope you enjoy them. (more…)

Summer brings a large number of youth camp groups to the Museum’s galleries. We thought it would be a great opportunity to display books from the Libraries and Archives collections, which would appeal to young readers and viewers. Keith Duquette, Library Preservation Associate, enthusiastically searched through our collection and brought together a selection of wonderfully illustrated children’s books. The books are in two cases - one outside the Library and the other next to the reading room - on the second floor of the Museum. The inspiration for this display was a charming book published in Tokyo in 1888 called The Silly Jelly-fish.

A few other books and prints we have included are a beautifully illustrated book entitled The Sleeping Beauty and Other Fairy Tales from the Old French retold by Sir Arthur Quiller-Couch and illustrated by Edmund Dulac (from the Library) and three wonderful prints of Japanese toys found in the Culin Archival Collection (from the Archives).

The Silly Jelly-fish retold by B.H. Chamberlain (Tokyo: Kobunsha, 1888)

Japanese toy plates. Culin Archival Collection: Games.

More photos of the books can be found on Flickr.