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In this last dig diary for 2010 I want to acknowledge the hard work, skill and patience of some of the most important members of our team: the Egyptian technicians without whom the work would not be possible. This year we were fortunate to have Abdel Aziz Farouk Sharid, Mahmoud Abbadi, our invaluable foreman Farouk Sharid Mohamed, Ayman Farouk Sharid and Abdullah Moussa, all of whom have worked with us for many years. Excavation ended on Monday, and here is some of what was accomplished this season. (more…)

The base of this sphinx east of the precinct entrance is made up mainly of re-used blocks dating to Dynasties 25-26. The one under the sphinx’s paws, for instance, is half of a lintel from a chapel of Montuemhat. Of more interest to us, however, is the rear block, which is an upside down lintel. This re-use is ancient; all modern archaeologists have done is repair damaged blocks. (more…)

My work in the Wilbour Library involves keeping an eye out for books the Library needs, and carrying out archival research into the history of the Egyptian collections in support of the Library’s educational mission. In the Library’s Special Collections I’ve been particularly intrigued by a small group of eighteenth century drawings of Egyptian objects. These were probably made by the German artist Johann Justin Preissler (1698-1771), and provide a rare glimpse into early studies of Egyptian objects.

At the time Preissler made his drawings, Egypt was an inaccessible, mysterious land. Few objects were held in Western museums or collections, and hieroglyphic inscriptions could not be read. Preissler’s drawings are of interest not only because they record objects that may now be lost or damaged, but also because they show how these Egyptian objects appeared to an eighteenth century eye.

J. J. Preissler. Enthroned figure of the god Harpocrates, rear view. Red chalk on paper, c. 1725-1771. Wilbour Library of Egyptology, Special Collections

My favourite drawing shows the back view of a long-haired figure, its right arm bent at the elbow, seated on a falcon-backed throne. It’s hard (but not impossible!) to identify an object just from its backside, and I started to look for other works by Preissler to see if he’d made any other studies of this figure. As luck would have it, the Binghamton Art Gallery has two drawings of the front and side.

(left) J. J. Preissler. Enthroned figure of the god Harpocrates, front view. Red chalk on paper, c. 1725-1771. Binghamton University Art Museum. (right) J. J. Preissler. Enthroned figure of the god Harpocrates, left profile view. Red chalk on paper, c. 1725-1771. Binghamton University Art Museum.

These showed a naked child, holding one hand to his chest, and sitting on a throne shaped like a pair of lions. The Binghamton and Brooklyn drawings show a figure of the child god Harpocrates, and were probably copied from a small bronze statuette, like this Harpocrates now in Brooklyn (not the original of the drawings).

Seated figure of Harpocrates. Bronze, Egypt, Late Period, 664-323 BC. 37.686E, Charles Edwin Wilbour Fund.

In Egypt children were shown with a long plaited side-lock of hair, sucking their index finger. Preissler has misunderstood Harpocrates’s gesture, and the curly end of his sidelock has been turned into a horn floating above his hand. His soft, podgy body and his inquiring face are also more Western than Egyptian in appearance. Preissler didn’t make a straightforward copy of a the bronze figure, but turned Harpocrates into a flesh and blood sketch that looks almost like a study from a living sitter. I wonder if he actually arranged a model in the same pose as the bronze, or if this was all done from the original figure?

Thanks to museum displays and over two hundred years of Egyptological research, we’re now familiar with the basic conventions of Egyptian art: we can easily recognize what makes an object look Egyptian. The drawings show Preissler confronted with an unfamiliar, peculiar object from a far-off land, and struggling to understand and describe it. His puzzlement and wonder are still visible—and contagious—nearly 300 years later.

A general view of the excavation area on Thursday around noon. What you can’t see is how hot it is: 100°F on the site every day this week, which unusual for February. The heat is hard on everyone, but the work has to go on. (more…)

To the ancient Egyptians, magic (heqa in ancient Egyptian) was a potent force that could be used by deities and humans to influence the mortal world. These blocks come from a small (less than 2 meters square) 26th Dynasty magical healing chapel that once stood in the precinct. Visitors (or priests) would recite the spells written on its walls to cure illness. The building was eventually dismantled and its blocks re-used in a late Ptolemaic or early Roman Period building. Richard decided this year to re-erect the chapel, and work began this week. (more…)