All posts in Conservation

Bark painting in Connecting Cultures. Bamboo, palm spathes, paint. X579.

Resurrected Abelam Bark Painting Returned to View

When you look up at the large, towering Abelam bark painting in our exhibition Connecting Cultures, you wouldn’t guess that it had been bedridden for…

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After Treatment, Panel of Tiles

Connecting with Conservation

If you’ve been through Connecting Cultures, you’ve probably wondered at the number of diverse objects.  You may not be aware, however, of the planning and…

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Mary Lucier

Playing House: Working with Artists

In the exhibition Playing House four artists, Betty Woodman, Ann Chu, Ann Agee and Mary Lucier, install their own artwork into and around several period rooms…

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Portrait of a Man

Treatment of Portrait of a Man

In preparation for the paper rotation that recently went on view in our second floor, the works were examined and, if necessary, stabilized before going…

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Five-Piece Clock Garniture

All Geared Up for a Timely Repair

For 19th-Century Modern, which opened last month, the conservation department undertook the cleaning and stabilization of many objects, among them the five-piece silvered bronze candlesticks…

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6144373224_8baa26d753

A Tree Blossoms in Brooklyn

In preparation for the exhibition Sanford Biggers: Sweet Funk—An Introspective, conservators took part in preparing and installing Blossom, 2010, a recent acquisition to the collection….

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Detail of Book of the Dead of Sobekmose

Repairing the Book of the Dead

Repairing papyrus can be a little like putting a jigsaw puzzle together. In order to make sense of the many small pieces at hand, we…

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Quake map

We felt the earth move under our feet

Yes folks. The quake was felt here at the Brooklyn Museum. Unlike our colleagues in California, Tennessee and even Indianapolis, we Brooklynites do not live…

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Elvis Mask for Nyau Society

Elvis is in the building

Elvis is at the Brooklyn Museum and not where you’d expect to find him—in the new installation of the Museum’s African galleries, African Innovations. Brooklyn’s…

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Split Second paintings in the Conservation Lab

Many Hours for a Split Second

With the initiation of the project Split Second, Joan Cummins, Curator of Asian Art selected a very large number (185) of works from the Museum’s…

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Instagr.am

35 Animal Mummies meet Twitter and Instagr.am

If you read Lisa’s post on the animal mummy field trip to the Animal Medical Center and got as excited as we did, follow us…

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Falcon X-ray

Animal Mummies – X-radiography, and coming soon – CT scans!

These past few weeks we have been steadily packing and preparing to transport a group of animal mummies to the Animal Medical Center (AMC) for…

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Inner Cartonnage of Gautseshenu

Lady Gautseshenu goes to the Hospital

Yesterday, a team of curators, conservators, and art packers and handlers took the last of our human mummies to North Shore University Hospital to be…

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Detail from the Book of the Dead of the Goldworker Amun, Sobekmose

Radiocarbon (carbon-14) Dating of Book of the Dead of Sobekmose

Our research to further understand the Book of the Dead of the Goldworker Amun, Sobekmose continues. Carbon-14 (C-14) dating was one of the first scientific…

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Blackfeet Tipi tripod

So How Do You Set Up a Tipi?

That’s exactly the question we were asking ourselves when Nancy Rosoff and Susan Kennedy Zeller organizing Curators for Tipi: Heritage of the Great Plains put…

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FTIR device

Looking for Adhesives and Identifying Binders in the Book of the Dead Using FTIR

Another scientific analytical technique commonly used in art conservation is called Fourier-transform Infrared Spectroscopy, or FTIR.  The Brooklyn Museum’s Paper Conservation Lab employed this technique…

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Book of the Dead

Analyzing Pigments in the Book of the Dead Using XRF Spectroscopy

One of the many scientific analytical techniques used in art conservation is called X-ray Fluorescence Spectroscopy, or XRF.  The Paper Conservation Lab here at the…

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Fragment from Book of the Dead

IR and UV Examination of Egyptian Papyrus

Following Rachel’s previous discussion on pigments and inks used in our Book of the Dead of the Goldworker of Amun, Sobekmose, I will begin here…

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Cents Sign Travelling from Broadway to Africa via Guadeloupe

Cents Sign Traveling From Broadway to Africa via Guadeloupe

When I first saw Chryssa’s neon sculpture in storage in late 2004, the object was in an unexhibitable state, missing the two end pieces of the…

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Pigments and Inks Typically Used on Papyrus

This is the third blog post on the Museum’s extraordinary New Kingdom papyrus, the Book of the Dead of the Goldworker Amun, Sobekmose.  My colleagues…

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The Egyptian Papyrus “Book”

Once a papyrus sheet was formed it was joined together with other sheets to form long rolls. The papyrus roll format dates back to ~3,000…

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Making Papyrus in the Conservation Lab

Before we began treatment on the Book of the Dead of the Goldworker of Amun, Sobekmose papyrus scroll, the staff of the paper conservation lab…

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Papyrus: Secret of the Egyptians

Although the making of papyrus as a writing support is almost 5,000 years old, not a single written description by the Egyptians exist to explain…

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A new project and a few surprises

To the ancient Egyptians, magic (heqa in ancient Egyptian) was a potent force that could be used by deities and humans to influence the mortal…

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Live Tweeting Mummy Wrapping and Conservator Q&A Tuesday!

If you were following us on Twitter last June, you probably remember us live tweeting as a group of mummies were taken to North Shore…

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Take a seat…

Starting on December 2nd, that’s exactly what you’ll be able to do in the Museum’s Fourth Floor Schenck Gallery—in a handcrafted replica of our 17th-century,…

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5

Birdmaster Tames the Lion

To those of you who are regular readers to this blog, you may remember my colleague, Jakki Godfrey’s post from May 27 detailing the deinstallation…

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Animal Mummy Update

Those of you who are 1stfans got an introduction to the animal mummy research project being done at the Museum when we held an informal…

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The Installation of Reception

Through the generosity of Beth Rudin DeWoody, the Museum recently acquired a multiple component installation piece made by the artist Vadis Turner, which will be…

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Sun Bleaching in the Sculpture Garden

What is the Brooklyn Museum’s important Arshile Gorky lithograph doing outdoors?  And why is it immersed in water?  I received these questions many times from…

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Male and Female Mummies: Bad Grammar, Bad X-rays, Bad Judgment

It should not be so hard to tell a woman from a man. Yet three of the five male mummies from the Brooklyn Museum that…

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Mummy Transport

As some of you may have seen from the recent press coverage, we took four of our Egyptian human mummies to North Shore University Hospital…

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Live Tweeting Mummy CT Scanning Today!

We’ve got something very cool going on!  Follow us on Twitter today to get our updates—we are going to be tweeting live as curators and…

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When Lions and Dragons Fly

In preparation for renovation to the glass corridor roof, two of the museum’s exterior architectural elements, a stone dragon and a zinc lion, needed to…

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Thothirdes

Thothirdes may be familiar to those of you who have seen her on display in the 3rd floor Egyptian Galleries.  She was deinstalled and brought…

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More on mummies…

In addition to continuing to x-ray the animal mummies,  the Conservation Lab has started preparing to send several human mummies to North Shore University Hospital….

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Re-making the mess

Have you ever had one of those days where everything falls into place? When Eugenie Tsai blogged about Valerie Hegarty’s Fallen Bierstadt back in October,…

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This week in conservation at Mut

   During this past week I continued to treat small finds excavated from the west side of the Taharqa gate, and to watch the progress…

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Back on Site

I’ve been back on site for a week now and am happy to rejoin the team for my second season. It’s great to see Richard,…

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Animal Mummy Research

This past Saturday as part of programming for 1stfans at the Brooklyn Museum, I gave a presentation on the animal mummy research the Conservation Department…

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Q&A about the Conservation of objects for “To Live Forever”

“To Live Forever” is finally up at the Indianapolis Museum of Art, and they have done an amazing job posting a wealth of information on…

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Conservation Treatment of Demetrios Begins

I’m back from leave, and during the last several months we’ve been busily getting all of the objects ready for the “To Live Forever, Egyptian…

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Newly on View: Herald Tribune Owls

The next time you enter the Grand Lobby of the museum, make sure you cast your eyes upwards. In one of the openings in the…

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Demetrios gets CT scanned

Photo by Adam Husted Sorry for the delay in this post, but it was a long process organizing the CT scans. When we unpacked Demetrios,…

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Schenck Re-Installation 2007

Slideshow created with Admarket’s flickrSLiDR. Having trouble seeing the slideshow? Photos are also on Flickr. These slides show the Jan Martense Schenck House as it…

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Conserving Watercolors: Under the Microscope

In my previous post, I discussed how an adhesive introduced with an ultrasonic mister can be used to stabilize paint layers. Now you can see…

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Conserving Watercolors: Misting to Stabilize Paint Layers

In preparation for the Museum’s current exhibition, Brushed With Light, conservators in the Paper Conservation Department examined over ninety watercolors. It was great to work…

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Demetrios goes for a ride

While Marc was visiting us from the Getty to carry out XRF on our mummy Demetrios, we decided to give Marc a sample of the…

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The Getty Visits Demetrios

On July 5, Marc Walton, a scientist with the Getty Conservation Institute came to examine one of our mummies, knows as Demetrios. He brought a…

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Time to Clean the Pegasi!

Over a few days each summer the object conservators and the conservation summer interns get to venture out to the sculpture garden to treat the…

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