Cindy Sherman, the incomparable feminist photographer will be honored tomorrow as part of the Brooklyn Museum’s annual Women in the Arts Luncheon! Sherman’s work was invaluable to the feminist art movement in the late seventies, forcing viewers to consider the significance of “the gaze” in Western culture. Through the use of costumes and role-play in her self-portraiture, Sherman helped to redefine the notion of gender as something performed rather than innate. Women in the Arts 2008 will celebrate her contributions to feminist art during the awards presentation tomorrow, followed by a reception and luncheon.
This event coincides with the current exhibition here at the Elizabeth A. Sackler Center for Feminist Art, Burning Down the House: Building a Feminist Art Collection, which includes Sherman’s Untitled (detail), 1975/2004, an early photograph that precludes Sherman’s famous Untitled Film Stills series by two years and references the gender bending, surrealist photographer Claude Cahun. For information on Women in the Arts 2008, click here.

(Cindy Sherman (American, b. 1954). Untitled (detail), 1975/2004. C-print. Printer Charles Griffin, Inc. Brooklyn Museum, Gift of Linda S. Ferber, 2005.10. Courtesy of the artist and Metro Pictures.)
In last Sunday’s panel discussion, “The American Hero and the American Dream: Reflections on Our Contemporary Political Narratives,” moderator and well-known author Courtney E. Martin was joined by panelists Charlton McIlwain, Assistant Professor of Culture and Communication at New York University; Gloria Feldt, author and blogger at Heartfeldt Politics; and Ramin Hedayati, associate producer of The Daily Show for an in-depth examination of the narratives and images that dominate the media, campaigns, and candidates during this election season. If you missed this important discussion, check out the program in the following video!

Maura Reilly and Roseanne Barr, June 25, 2007. Photo © Adam Husted
Dear Feminists,
I’m giddy with excitement when I tell you that one of the greatest comic geniuses of all time visited us here yesterday at the Elizabeth A. Sackler Center for Feminist Art. She came–as a self-declared, longstanding feminist–to see the Center and Judy Chicago’s The Dinner Party. Ms. Chicago–who is an old friend of Roseanne’s–was there to give her a personalized tour of the masterpiece, after which I showed her our inaugural exhibition Global Feminisms. She was delighted with it all! As was no surprise to any of us, she was brilliant, warm, and delightful to be with.
Thank you for the visit, Roseanne. Come again–and bring friends!!!