Skip main navigation
The Brooklyn Museum

Community: feminist.bloggers@brooklynmuseum




May 5, 2009

“Body Language: Brooklyn Museum”: A Mother’s Day Performance by the True Body Project

Sarah Giovanniello @ 4:50 pm

true_body_hands_web__1.jpg

The True Body Project. Photograph courtesy True Body Project. Copyright Esther Freeman, True Body class of 2005.

This Mother’s Day program has grown out of a yearlong collaboration between the Brooklyn Museum and the True Body Project. Originally based in Cincinnati, the organization began conducting workshops with various New York-based community organizations in 2008 including Women of Storahtelling, We Got Issues, and the Arab American Association of New York to gather stories about women’s relationships with their bodies. The organization’s goal is to utilize art and performance as a means to facilitate promoting positive body image in young girls and women. During April’s Target First Saturday, representatives from the True Body Project shared their art-making process with Museum visitors by placing journals containing workshop participants’ reflections on each chair. The visitors were encouraged to leaf through the journals and read aloud entries that they personally connected with. The audience’s response was amazing with participants ranging in age from 10 to 65 reading to the group. Innovative and inspirational, the activity created a sense of connection across age, background, and experience. The Museum is thrilled to promote art projects which have grown directly out of collective voices and community collaboration. And, in a time of limited resources, this is a wonderful model for organizing quality and meaningful public programs on a shoestring.

TB_workbook__2.jpg

The True Body Project captures workshop participants’ reflections on specific prompts in these shared journals. Photograph courtesy of the True Body Project.

This Sunday, May 10, the True Body Project will premiere their site-specific performance Body Language: Brooklyn Museum throughout the galleries. The performers will be responding to different installations in the Museum - including Judy Chicago’s The Dinner Party in the Elizabeth A. Sackler Center for Feminist Art, the Museum’s well-known female figurine (known by most as the ‘Bird Lady’) in the Ancient Egyptian Art Galleries, and the Martha A. and Robert S. Rubin Pavilion - with their own interpretive dance, new video, original song, and homemade replica sistra . Each piece combines Brooklyn women’s reflections on their bodies and lived experience with responses to the Museum’s artwork.

True_Body_rehearsal__3.jpg

Take a sneak peak of the brilliant intergenerational theatrical work that will be in the Glass Pavilion. Here, the performers work out their spacing in advance of the program. Photograph by Cameron Anderson.

Many thanks to Lyndsey Beutin in Education for the following, and for her efforts to promote and co-organize the program. The True Body Project performs Body Language: Brookyn Museum throughout the Museum this Sunday, May 10th. For further details about the program please click here.

January 9, 2009

Happy New Year from “The Fertile Goddess”

Madeleine Cody @ 1:12 pm

FG Panels 3_2.JPG

The latest exhibition in the Herstory Gallery, The Fertile Goddess, just opened on December 19, 2008. Imagine how delighted Sarah Giovanniello, Research Assistant, Elizabeth A. Sackler Center for Feminist Art, and I were to see this decoration, which Museum art class students kindly made for the Museum’s Holiday Party for staff! We immediately recognized many of the figurines from the exhibition.

Students FG Panels_1.JPG

The art instructor for the class, Reynolds, is an artist who has always been interested in goddesses and has even made some of her own goddess figurines. We are planning to visit her studio to see them after Elinor Gadon’s talk tomorrow.

One fascinating aspect of working on this exhibition for me, as a scholar who studies ancient art, has been exposure to contemporary feminist art inspired by ancient female images. While scholars who study these ancient figurines often question their identification as goddesses, the reclamation of ancient female images and the concept of goddesses by feminist scholars and artists, beginning in the 1960s, is a rich field in itself. It is one that I have greatly enjoyed learning about from my co-curator, Maura Reilly, founding curator of the Elizabeth A. Sackler Center for Feminist Art, and from Sarah.

It is also a pleasure to see young artists making their own versions of these image and we hope to see more in the coming months. For more education related activities, visit the link to the Teacher’s Packet for the exhibition found here.