Participants discuss work at a recent open studio event in Brooklyn.

The Open Studio Model

As we’ve noted in our posts, the inspiration for GO came from two primary sources: ArtPrize and the long and burgeoning tradition of open studio…

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ArtPrize in 2010

Learning from ArtPrize

As we continue to move forward throughout the summer, it seems fitting to talk about the inspiration behind GO.  I’ve already mentioned that the Brooklyn…

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Bark painting in Connecting Cultures. Bamboo, palm spathes, paint. X579.

Resurrected Abelam Bark Painting Returned to View

When you look up at the large, towering Abelam bark painting in our exhibition Connecting Cultures, you wouldn’t guess that it had been bedridden for…

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Survey table sign inviting participation.

Inquiring Minds… Learn As They Go

You may recall my previous post, which introduced our two-part visitor study about the Connecting Cultures installation. Well, we are a little better than half-way…

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Map showing the 1861 registered artists registered to open their doors for GO.

1861 Artists Will Open Their Studio Doors Sept 8-9

When Sharon and I first started discussing the project that would become GO, one of our sources of inspiration was a map that the Brooklyn…

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Why Artist Registration for GO Continues to Surprise Me

As Sharon mentioned in her post yesterday, we continue to get a lot of questions and wanted to answer a few of them prior to…

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Why I Hope Artists Will Participate in GO

I have received a wide range of questions about GO from artists. Some of the more skeptical ones have included “So, it’s a contest?” and…

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Connecting Cultures Installation View

Exhibiting Architecture in a Salon

Yesterday conservator Kerith Koss introduced readers to a late 16th- or early 17th-century Ottoman tile panel (39.407.1-.54), is currently on view in Connecting Cultures: A…

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After Treatment, Panel of Tiles

Connecting with Conservation

If you’ve been through Connecting Cultures, you’ve probably wondered at the number of diverse objects.  You may not be aware, however, of the planning and…

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Mummy Mask of a Man Consisting of the Face Only

A New Addition from our Old Collection

Every museum strives to enrich its collection even further, but acquiring new objects is not always possible. Luckily, our storerooms have much to offer and…

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Team GO

Going Local with a Distributed Network

You’ve probably heard that if Brooklyn were its own city, we’d be the fourth largest in the United States. With a land mass of 73…

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Open Studio Weekend September 8-9, 2012

Calling All Brooklyn Artists!

When Shelley and I first started brainstorming the ideas that have now become GO, we were thinking about how to build upon some of the…

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Connecting Cultures

Inquiring Minds

Over the summer months you may notice an increased number of staff stationed in the museum lobby. One of these staff members may approach you,…

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Francisco Oller

Paris and Puerto Rico Unite in Brooklyn Acquisition

On June 6th, our recently acquired painting by Francisco Oller (1833-1917), the most important Puerto Rican artist of the nineteenth century, will go on view…

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GO: a community-curated open studio project

Let’s GO

Over the years many people have asked me if we’d do Click! again and my general response has been to say that we wouldn’t do a…

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