/*
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SCRIPTS DEVELOPED BY: PAUL GARDNER 
codemonkey@backpacker.com
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*/

button_num="&button_num=4"<!--&-->
button_text1="&button_text1=Plush"<!--&-->
button_text2="&button_text2=Boom for Real"<!--&-->
button_text3="&button_text3=The Letter E"<!--&-->
button_text4="&button_text4=Jimmy"<!--&-->
popup_num="&popup_num=11"<!--&-->
popup_text1="&popup_text1=ADDTITLE1:<br />The contrast of the words ''plush safe he think'' with the image of a car crash evokes a world of uncertainties and, perhaps, injustice."<!--&-->
popup_text2="&popup_text2=Basquiat's graffiti tag was SAMO (which stood for ''same old, same old'' or ''same old shit''). When he started showing his work in galleries, he went with his birth name, Jean-Michel Basquiat (his family name is pronounced <em>bas-kyah</em>)."<!--&-->
popup_text3="&popup_text3=<img src=\"../images/visual_samo.jpg\" width=\"250\" height=\"168\" alt=\"Image of SAMO graffiti\" /><br />SAMO graffiti, New York, no date. Photograph |copy Paul Laster"<!--&-->
popup_text4="&popup_text4=Basquiat appeared in the film <em>Downtown 81 (New York Beat)</em>, 1980-81, directed by Edo Bertoglio."<!--&-->
popup_text5="&popup_text5=ADDTITLE2:<br />At the age of seven, Basquiat was hit by a car while playing ball in the street and was hospitalized for weeks. Early in his career as an artist, he painted many car crashes. Reflecting his interest in street life, they suggest both the danger and the allure of the streets."<!--&-->
popup_text6="&popup_text6=ADDTITLE3:<br />Basquiat did not consider his graffiti to be art, yet he also said that he used words like brushstrokes. One friend called the writing in Basquiat's work ''some visual type of poetry.''<br /><br />Basquiat's style of writing was different from other graffiti writers of the time. He used a straightforward kind of printed line, easily read by a passerby, yet elegant in its unique way of marking the vertical and horizontal lines. For example, in drawing the capital letter E, he liked to leave out the vertical stroke and use only the three horizontal lines, making something striking and unusual out of an ordinary letter."<!--&-->
popup_text7="&popup_text7=Basquiat's art has inspired poets such as Kevin Young. Here is Young's poem ''Cadillac Moon {1981}.'' Add your own poem in the What Do You Think? section, and read poems by other visitors to this site."<!--&-->
popup_text8="&popup_text8=Listen to Young read his poem."<!--&-->
popup_text9="&popup_text9=<strong><em>Cadillac Moon {1981}</em></strong>"<!--&-->
popup_text10="&popup_text10=<em>Crashing<br />again--Basquiat<br />sends fenders<br /><br /><br />| letters headlong<br />into each other<br />the future. Fusion<br /><br /><br />AAAAAAAAAAA.<br /><br /><br />Big Bang. The Big<br />Apple, Atom's<br />behind him--<br /><br /><br />no sirens<br />In sight. His career<br />of careening<br /><br /><br />since--at six--<br />playing stickball<br />a car stole<br /><br /><br />his spleen. Blind<br />sided. Move <br />along folks--nothing<br /><br /><br />to see here. Driven,<br />does two Caddys<br />colliding, biting<br /><br /><br />the dust he's begun<br />to snort. Hit<br />| run Red<br /><br /><br />Cross--the pill-pale<br />ambulance, inside<br />out, he hitched<br /><br /><br />to the hospital.<br />Joy ride. Hot<br />wired. O the rush<br /><br /><br />before the wreck--<br /><br /><br />each Cadillac<br />a Titanic,<br />an iceberg that's met<br /><br /><br />its match--cabin<br />flooded<br />like an engine,<br /><br /><br />drawing even<br />dark Shine<br />from below deck.<br /><br /><br />FLATS FIX. Chop<br /><br /><br />shop. Body work<br />while-u-wait. <u>In situ</u><br /><u>the spleen</u><br /><br /><br /><u>Or lien, anterior view</u>--<br />removed. Given<br />Gray's Anatomy<br /><br /><br />by his mother for recovery--<br /><br /><br /><u>151. Reflexion of spleen</u><br /><u>turned forwards</u><br /><u>| to the right, like</u><br /><br /><br /><u>pages of a book</u>--<br />Basquiat pulled<br />into orbit<br /><br /><br />with tide, the moon<br />gold as a tooth<br />a hubcap gleaming,<br /><br /><br />gleaned--Shine<br />swimming for land,<br />somewhere solid<br /><br /><br />to spin his own obit.</em><br /><br /><br />--Kevin Young"<!--&-->
popup_text11="&popup_text11=ADDTITLE4:<br />One art critic discussed the words in the painting this way:<br /><br />''As anyone who has spent time in the Riverhead Penitentiary can tell you, the handsomest, strongest, most ambitious, intelligent, and tallest black and Latino men have been systematically deactivated and discredited by hefty prison terms. The idea is to get you while you're young. Jimmy (the best) will never be allowed to forget his incarceration (suckerpunch) as a juvenile offender (childhood files), his life destroyed by the self-referential prison system. This is the black man's first taste of white justice.''<br /><br />--Rene Ricard"<!--&-->
image_num="&image_num=1"<!--&-->
image_title1="&image_title1=Jimmy Best... "<!--&-->
image_caption1="&image_caption1=1981. Spray paint and oil paintstick on metal panel. Collection Tsong-Zung Chang<br /><br />Although <em>Jimmy Best...</em> is painted on a piece of metal, it is similar to some of the graffiti that Basquiat wrote on city walls. Throughout his career, Basquiat often painted on everyday objects that were near at hand, such as old doors and windows, pieces of picket fences, and even football helmets. "<!--&-->
image_url1="&image_url1=jimmybest.jpg"<!--&-->
image_width1="&image_width1=696"<!--&-->
image_height1="&image_height1=720"<!--&-->
what_think="&what_think=What do you think?"<!--&-->
popup_info="&popup_info=Pop-up text"<!--&-->
popup_on="&popup_on=ON"<!--&-->
popup_off="&popup_off=OFF"<!--&-->
more_paintings="&more_paintings=More Paintings in<br />This Theme"<!--&-->
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popup_more="&popup_more=More"<!--&-->
popup_goback="&popup_goback=Go Back"<!--&-->
url_whatthink="&url_whatthink=forum_ex_visual.php"<!--&-->
url_morepaintings="&url_morepaintings=explore_visualmore.php"<!--&-->
url_backtothemes="&url_backtothemes=explore.php"<!--&-->