José Campeche (Puerto Rican, 1751–1809). Doña María de los Dolores Gutiérrez del Mazo y Pérez, circa 1796. Oil on canvas, 34 x 25 in. (86 x 64 cm). Brooklyn Museum, Gift of Lilla Brown in memory of her husband, John W. Brown, by exchange, 2012.45
September 20, 2013–January 12, 2014
Behind Closed Doors: Art in the Spanish American Home, 1492–1898 (Traducido por Google) is the first major exhibition in the United States to explore the private lives and interiors of Spain’s New World elite from 1492 through the nineteenth century, focusing on the house as a principal repository of fine and decorative art. Through approximately 160 paintings, sculptures, prints, textiles, and decorative art objects, this exhibition presents for the first time American, European, and Asian luxury goods from everyday life as signifiers of the faith, wealth, taste, and socio-racial standing of their consumers. The exhibition explores themes including representations of the indigenous and Creole elite, rituals in the home, the sala de estrado (women’s sitting room), the bedchamber, and social identity through material culture.
Behind Closed Doors primarily consists of works from the Brooklyn Museum's world-renowned collections as well as exceptional loans from distinguished institutions and private collectors. It is the first presentation of our important Spanish colonial holdings since the groundbreaking 1996 exhibition Converging Cultures: Art & Identity in Spanish America. The exhibition is accompanied by a comprehensive catalogue, available in print and as an e-book, with contributions by leading scholars of Colonial Spanish and British American art, published by the Brooklyn Museum in association with The Monacelli Press.
Behind Closed Doors: Art in the Spanish American Home, 1492–1898 is organized by Richard Aste, Curator of European Art, Brooklyn Museum.
Generous support for this exhibition has been provided by the National Endowment for the Humanities, Christie’s, Colección Patricia Phelps de Cisneros, and Constance and Henry Christensen III.
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