Keith Haring (American, 1958–1990). Untitled, 1980. Sumi ink on Bristol board, 20 x 26 in. (50.8 x 66.0 cm). Collection Keith Haring Foundation. © Keith Haring Foundation
March 16–July 8, 2012
Keith Haring: 1978–1982 is the first large-scale exhibition to explore the early career of one of the best-known American artists of the twentieth century. Tracing the development of Haring’s extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.
The exhibition chronicles the period in Haring’s career from his arrival in New York City through the years when he started his studio practice and began making public and political art on the city streets. Immersing himself in New York’s downtown culture, he quickly became a fixture on the artistic scene, befriending other artists such as Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative cultural figures of the period. The critical role that these relationships played in Haring’s development as a public artist and facilitator of group exhibitions and performances is also explored. Pieces on view include a number of very early works never before seen in public; seven video pieces, including Painting Myself into a Corner (his first video piece) and Tribute to Gloria Vanderbilt; and collages created from cut-up fragments of his own writing, history textbooks, and newspapers.
Keith Haring: 1978–1982 is curated by Raphaela Platow. The exhibition is co-organized by the Contemporary Arts Center, Cincinnati, and the Kunsthalle Wien. The Brooklyn presentation is organized by Tricia Laughlin Bloom, Project Curator, and Patrick Amsellem, former Associate Curator of Photography, Brooklyn Museum.
This exhibition is made possible by Lisa and Dick Cashin with additional support provided by the Stephanie and Tim Ingrassia Contemporary Art Exhibition Fund.
A panel discussion on Haring's artistic language, moderated by Dr. Robert Farris Thompson.
Keith Haring Tumblr
The Keith Haring Foundation is posting Haring's journals to Tumblr throughout the exhibition. Follow us for a page a day!
James Franco's Rabbit TV speaks with curator Tricia Laughlin Bloom and friends of Haring's at the opening.
Compilation by DJ Scott Ewalt, created to accompany the exhibition.
Great. The videos and journal writings were so interesting. I would have liked to learn more about just HOW the nightlife and NYC life and his community affected his art + personality, though (not just that it did).
bring my knowledge about Keith Haring to another level. Awesome. the exhibition should last longer.
Exhibition well recalls the era and Haring's particular brand of energy.
love that everything is 'untitled' - leaving out the pretense between viewer and art.
A true slice of the New York Art and Social Scene of the 80's depicting a raw and awesome art form started by one of the great American artists of our time. Awesome and Revealing...............
illuminating! his vision of art for everyone still inspires today and helps us to reimagine the spaces we inhabit.