Exhibitions: John Singer Sargent Watercolors

Sargent evoked the animated play of shadows across the form of a small outbuilding in this aptly titled watercolor. He added zinc white to nearly all of the washes used to represent shadow, lending them a chalky feel suggestive of the whitewashed stucco surface. Both unpainted reserves of white paper and strategic color lifting create the effect of light emerging from the violet, tan, and blue shadows on the building. The acuity of Sargent’s eye and hand is especially evident in the transitions in color along the edge where the two walls meet.