This image is presented as a "thumbnail" because it is protected by copyright. The Brooklyn Museum respects the rights of artists who retain the copyright to their work.
E.A. Séguy, Bouquets et frondaison. Image 01.
Bouquets et frondaisons is an album of plates printed in vivid colors utilizing the pochoir process. Its source was Japanese stencils used for printing textiles that were imported to France at the end of the nineteenth century. Pochoir, the French word for stencil, refers to a printing technique for book and journal illustration as well as portfolios of plates produced as a source of inspiration for designers of carpets, costume, and textiles. The characteristic brilliance of color and vitality of texture of pochoir are similar to those of an original watercolor. The Libraries have several other pochoir portfolios by Séguy in addition to other key examples, such as Sonia Delaunay's Compositions, couleurs, idées (1926) and Album dédié à Tamar Karsavina by George Barbier (circa 1914).
- Image: "E.A. Séguy, Bouquets et frondaison. Image 01.", ca. 1925. Printed material. Brooklyn Museum. (NK1535_Se3_Seb_Seguy_01.jpg)
- Rights Statement: © Ch. Massin ; Brentano's, 1925?
- Title: Bouquets et frondaisons : 60 motifs en couleur
- Author: Séguy, E. A.
- Description: [2] leaves, 20 leaves of plates : all col. ill. ; 46 cm.
- Citation: Brooklyn Museum Libraries. Special Collections
- Imprint: Paris : Ch. Massin ; New York : Brentano's, [1925?]
- Date Display: 1925?
- Call Number: NK1535 Se3 Se3b



ninakuriloff
Eastern Parkway/Brooklyn Museum
Before you comment...
We get a lot of comments, so before you post yours, check to see if your issue is addressed by one of the questions below. Click on a question to see our answer:
Why are some objects not on view?
The Museum’s permanent collections are very large and only a fraction of these can be on exhibition at any given time. Sometimes works are lent to other museums for special exhibitions; sometimes they are in the conservation laboratory for study or maintenance. Certain types of objects, such as watercolors, textiles, and photographs, are sensitive to light and begin to fade if they are exposed for too long, so their exhibition time is limited. Finally, as large as the Museum is, there is not enough room to display everything in the collections. In order to present our best works, collections are rotated periodically.
How do I find out how much an object in the Brooklyn Museum collections is worth?
The Museum does not disclose the monetary values of objects in its collections.
Can you tell me the value of an artwork that I own?
The Museum does not provide monetary appraisals. To determine the value of an object or to find an appraiser, you may contact the Art Dealers Association of America or the American Society of Appraisers.
I own a similar object. Can you tell me more about it?
Please submit via e-mail a photograph of the object you own and as much information about it as you can, and we will provide any additional information we are able to find. Please note that research in our files is a lengthy process, and you may not have a response for some time.
How would I go about lending or gifting a work to the Museum or seeing if the Museum is interested in purchasing a work that I own?
Please submit via e-mail a photograph of the object you would like us to consider, as well as all of the information you have about it, and your offer will be forwarded to the appropriate curator. The Brooklyn Museum collections are very rich, and we have many works that are not currently on exhibition; because of this, and because storage space is limited, we are very selective about adding works. However, the collection has become what it is today through the generosity of the public, and we continue to be grateful for this generosity, which can still lead to exciting new acquisitions.
How can I get a reproduction of a work in your collection?
Please see the Museum’s information on Image Services.
How can I show my work to someone at the Museum or be considered for an exhibition?
Please see the Museum’s Artist Submission Guidelines.
Why do many objects not have photographs and/or complete descriptions?
The Museum's collection is very large, and we are constantly in the process of adding photographs and descriptions to works that do not currently have them, or replacing photographs that have deteriorated beyond use and descriptions that are minimal or out of date. This is a long and expensive process that takes time.
How can I find a conservator or get advice on how to treat my artwork?
Please visit the American Institute for Conservation, which has a feature on how to find a conservator.
I have a comment or question which is not included in this list.