Collections: Egyptian, Classical, Ancient Near Eastern Art

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Statuette of Hippopotamus

Egyptian artists decorated statuettes of hippos with images of Nile flora and fauna. Common motifs included lotus buds, flowers, marsh grass...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Female Kifwebe Mask

    The kifwebe masquerade is a genre shared by the Luba and Songye, indicative of the interaction that has occurred between the two societies. ...

     

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    Cartonnage of NespanetjerenpereHistorical Papyrus in Five PiecesStatuette of Queen Ankhnes-meryre II and her Son, Pepy IIKneeling Statuette of Pepy IPrincess Sobeknakht Suckling a PrinceAramaic Adoption ContractFalcon Head Terminal from NecklaceFigure of Monkey Seated on Ovoid BaseBase for Votive Model of a Temple GatewayStatue of MetjetjiShabty Box of AmunemhatGoddess SeshatDoorjamb of ThaasetimuStatue of IpepyTear Drop Shaped Vase with Painted Designs of Maidens, Cows, Swamp Plants, etc.Relief of Queen Nefertiti Kissing One of Her DaughtersRelief Depicting Akenhaten and His Daughter Offering to the AtenFemale Ancestral BustJewelry Box (?) with LidRelief of Princess Khekeret-nebtyRelief with Desert AnimalsBlock Statue of PadimahesRoyal KaDonation Stela with a CurseSwamp SceneBoundary Stela of Sety IPtolemaic Queen (Cleopatra VII?)Relief of Amunhotep INefertitiDetail of a Row of ForeignersRelief of a FowlerRelief of Montuhotep IIISeated Statuette of SekhemkaSeated Statue of the Superintendent of the Granary IrukaptahScribe Statue of Amunhotep, Son of NebiryHeadrest with Two Images of the God BesFragment of Inscribed Door LintelRelief of Mourners Before a TombAnthropoid Coffin of ThothirdesFalse-Door Stela of a WomanRoyal Statues in ProcessionRelief Blocks from the Tomb of the Vizier NespeqashutyThe Kings Scribe Si-ese, Grinding GrainMummy and Cartonnage of HorTorso of ZiharptoStatue of Ity-senRelief of Mourning WomenRelief of Sandaled Feet of a Royal WomanThe Mummy of Demetri[o]sRitual KnifeIbis CoffinPtolemaic PrinceStela of Djefi and Ankh[en]es-itesStela of PakhaasFemale Offering Bearer

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    The End of the Season

    Working together with the ARCE project team we got a great deal accomplished this season in preparing the site to open to visitors. Most of the work consisted of organizing a mass of inscribed and decorated blocks and getting them up off the ground and onto mastabas where they will be both protected from ground water and visible to visitors.

     

    Front before1

    Just as a reminder, this photo and the next show the area west of the main roadway just as work was starting. This photograph was taken from atop the Mut Temple’s 1st Pylon and looks northwest. (more…)

    Author profile

    About Richard Fazzini

    Richard Fazzini joined the museum as Assistant Curator of Egyptian Art in 1969 and served as the Chairman of Egyptian, Classical and Ancient Middle Eastern Art from 1983 until his retirement in June 2006. He is now Curator Emeritus of Egyptian Art, but continues to direct the Brooklyn Museum’s archaeological expedition to the Precinct of the Goddess Mut at South Karnak, a project he initiated in 1976. Richard was responsible for numerous gallery installations and special exhibitions during his 37 years at the museum. An Egyptologist specialized in art history and religious iconography, he has also developed an abiding interest in the West’s ongoing fascination with ancient Egypt, called Egyptomania. Well-published, he has lectured widely in the U.S. and abroad, and served as President of the American Research Center in Egypt, America’s foremost professional organization for Egyptologists.
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    Our last week of excavation

    Our last day of excavation was February 28, but we still have work to do. Since we are leaving Luxor next week, this will be our last post from the field. We will do one last wrap-up posting on March 13 once we are back in Brooklyn.

     

    W8 bricks

    By mid week, Ayman was turning up some of the clearest and most beautifully laid bricks we have ever encountered. Even when first uncovered, two distinct parallel walls that occupy the full width of the square are clearly visible, with two shorter stubs of brick running off the southern wall. The block of stone between the rows is a door socket, but it seems to be displaced. (more…)

    Author profile

    About Mary McKercher

    Mary McKercher holds a BA in Ancient Near Eastern Studies (specializing in Egypt) from the University of Toronto and is also a trained archaeologist. In 1979 she joined the Brooklyn Museum’s expedition to the Precinct of the Goddess Mut at South Karnak as photographer and archaeologist, roles she continues to fill. She has contributed to the Mut Expedition’s “Dig Diary” since it began in 2005, and put together the photographs for the 8 Mut Expedition photo sets on the museum’s Flickr site. With her husband, Richard Fazzini, she has also researched and written about the West’s ongoing fascination with ancient Egypt, commonly known as Egyptomania.
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    Old projects, new projects

    Julia

    Jaap’s wife, Egyptologist Julia Harvey, arrived on February 15, completing this season’s small team. Julia has agreed to take on the pottery, with which she has considerable experience. She already has the first batches sorted and organized. (more…)

    Author profile

    About Richard Fazzini

    Richard Fazzini joined the museum as Assistant Curator of Egyptian Art in 1969 and served as the Chairman of Egyptian, Classical and Ancient Middle Eastern Art from 1983 until his retirement in June 2006. He is now Curator Emeritus of Egyptian Art, but continues to direct the Brooklyn Museum’s archaeological expedition to the Precinct of the Goddess Mut at South Karnak, a project he initiated in 1976. Richard was responsible for numerous gallery installations and special exhibitions during his 37 years at the museum. An Egyptologist specialized in art history and religious iconography, he has also developed an abiding interest in the West’s ongoing fascination with ancient Egypt, called Egyptomania. Well-published, he has lectured widely in the U.S. and abroad, and served as President of the American Research Center in Egypt, America’s foremost professional organization for Egyptologists.
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    Our first week

    Ramesses III sphinxes

    According to the late French scholar, Agnes Cabrol, these 3 badly damaged sphinxes sitting east of Chapel D date stylistically to the reign of Ramesses III and probably had originally been part of a sphinx avenue leading north from that king’s temple at the southwest corner of the Isheru. We decided to test that theory this year. (more…)

    Author profile

    About Mary McKercher

    Mary McKercher holds a BA in Ancient Near Eastern Studies (specializing in Egypt) from the University of Toronto and is also a trained archaeologist. In 1979 she joined the Brooklyn Museum’s expedition to the Precinct of the Goddess Mut at South Karnak as photographer and archaeologist, roles she continues to fill. She has contributed to the Mut Expedition’s “Dig Diary” since it began in 2005, and put together the photographs for the 8 Mut Expedition photo sets on the museum’s Flickr site. With her husband, Richard Fazzini, she has also researched and written about the West’s ongoing fascination with ancient Egypt, commonly known as Egyptomania.
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    Back at Mut – How things have changed!

    Our first day at the site this year was February 6, so most of this first posting will be about how the site has changed since we left in January 2011.

    In February 2012 the American Research Center in Egypt, with funding from USAID and in co-operation with the Ministry of State for Antiquities, began a project to prepare the Mut Precinct to open to visitors. They are not excavating but rather attempting to control the rampant growth of grasses and reeds at the site and making cosmetic improvements that will make the precinct more accessible to visitors. Under the direction of John Shearman, ARCE’s Associate Director in Luxor, there has been considerable progress.

    Theban cliffs

    As always, the view from the plane on the trip from Cairo to Luxor was spectacular. This year we flew down the west side of the Nile, over rugged and desolate mountains.

     

    Richard Hassan1[1]    Farouk

    First, I’d like to introduce you to the Egyptian colleagues with whom we’ll be working this season. Our MSA inspector this year is Hassan El-Tawab. He and I took a tour of the site on Thursday. Once again, our foreman is Farouk Sharid Mohamed, a friend and colleague of more than 30 years.

    Ayman   Abdel Aziz

    Farouk’s two sons Ayman (left) and Abdel Aziz will be the Quftis working with us in 2013. They, too, have many years of experience excavating at Mut and other sites and are a delight to work with.

    1st court gate

    Expeditions at the Mut Precinct have always worked together whenever possible. When the ARCE team asked if we could excavate part of the mound of earth east of the gate in the Mut Temple’s first court (left) so that they could remove a number of large, undecorated blocks from the court, we were glad to oblige. We are hoping to find more of the paving that links the first court to the chapel on the rise of ground to the east.

    Tah Gate2

    One of the things we want to do this year (a small project) is clear the remaining earth in the square west of the Taharqa Gate where we uncovered paving in 2010. First, though, we need to remove the loose earth along the west baulk to prevent an unwary walker from falling.

    New gate   New sign

    Now to the changes the ARCE has made. To make it easier to get into the site and and into the Mut Temple they have been laying new paving along the precinct’s main axis. What remains of the ancient paving of the approach to the Mut Temple was badly deteriorated so it was carefully covered with protective material and the new paving laid on a bed of clean sand. Where the paving is in better condition, new blocks are laid around the ancient stones. The new signs for the temple are Egyptian alabaster etched with the images and temple name.

    Approach before   Approach 2013

    On the left is the road between the precinct entrance and the Mut Temple as it was in January 2011; on the right, the same area today. Quite a difference.

    1st Court   2nd Court paving

    The first court (left) and second court have been leveled and laid with fine gravel so people can get to the Sakhmet statues. The new paving continues through the second court to the entrance to the rear part of the temple (foreground).

    Isheru 2011   Isheru clean

    One of the project’s biggest challenges has been to control the growth of reeds around Mut’s Sacred Lake without the use of herbicides. In 2008-2009 the lake was drained so that the Johns Hopkins University expedition, directed by Dr. Betsy Bryan, could excavate along its shores. Once the lake was allowed to refill, the reeds grew back almost as thickly as ever; the photo on the left was taken in January 2011. The method ARCE has used seems to be working (right) without making the Isheru inhospitable to the many types of birds who feed there. In the background on the right is the pathway the ARCE team has built around the lake to allow visitors to enjoy its beauty.

    TA S before   TA S after

    To make it easier to get to the pathway on the east side of the Mut Temple (still under construction), the ARCE team has built shallow stairs leading south from the junction of Mut’s First Pylon (right) and Temple A (left). We appreciate the stairs, too, as we are doing some work in this area. All in all, navigating the site’s monuments is much less of a challenge than it was before.

    Author profile

    About Richard Fazzini

    Richard Fazzini joined the museum as Assistant Curator of Egyptian Art in 1969 and served as the Chairman of Egyptian, Classical and Ancient Middle Eastern Art from 1983 until his retirement in June 2006. He is now Curator Emeritus of Egyptian Art, but continues to direct the Brooklyn Museum’s archaeological expedition to the Precinct of the Goddess Mut at South Karnak, a project he initiated in 1976. Richard was responsible for numerous gallery installations and special exhibitions during his 37 years at the museum. An Egyptologist specialized in art history and religious iconography, he has also developed an abiding interest in the West’s ongoing fascination with ancient Egypt, called Egyptomania. Well-published, he has lectured widely in the U.S. and abroad, and served as President of the American Research Center in Egypt, America’s foremost professional organization for Egyptologists.
    Filed under: Egyptian Art
    Tagged: , , ,
    Bookmark the permalink

    Go to the original blog post

    Recent Blog Posts

    The End of the Season
    Working together with the ARCE project team we got a great deal accomplished this season in preparing the site to open to visitors. Most... read more.

    Our last week of excavation
    Our last day of excavation was February 28, but we still have work to do. Since we are leaving Luxor next week, this will be our last post... read more.

    Old projects, new projects
    Jaap’s wife, Egyptologist Julia Harvey, arrived on February 15, completing this season’s small team. Julia has agreed to take... read more.

    Our first week
    According to the late French scholar, Agnes Cabrol, these 3 badly damaged sphinxes sitting east of Chapel D date stylistically to the reign... read more.

    Back at Mut – How things have changed!
    Our first day at the site this year was February 6, so most of this first posting will be about how the site has changed since we left in January... read more.

    Read all Egyptian, Classical, Ancient Near Eastern Art blog posts

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    "The technique is called sprang, involving continuous warp stretched on a frame, with the warps manipulated by twisting row by row. The midline is usually chained, with a cord running through it. Not knitting."
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