Exhibitions: In Pursuit of the Spiritual

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Head of a God

The tall White Crown of Upper Egypt flanked by two plumes is an attribute of Osiris, the god of the dead, who is probably represented here. ...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Hedgehog

    When food is scarce, hedgehogs retreat into underground dens for long periods, only to re-emerge in times of abundance. The Egyptians associ...

     

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    In Pursuit of the Spiritual

    • Dates: October 12, 1990 through September 5, 1991
    Press Releases ?
    • May 1990: A special exhibition of Oceanic ceremonial art, IN PURSUIT OF THE SPIRITUAL: Oceanic Art Given by Mr. and Mrs. John A. Friede and Mrs. Melville W. Hall, is scheduled to open at The Brooklyn Museum on October 12, 1990, in the Special Exhibitions Gallery of the Department of African, Oceanic, and New World Art, where it will remain on view through February 4, 1991. It will contain 64 masterworks, many of them never before on public view.

      All the objects, part of the permanent collection of The Brooklyn Museum, are generous gifts from Mrs. Melville W. Hall and Mr. and Mrs. John A. Friede, who have donated more than 150 pieces of Oceanic art to the Museum during the past decade.

      The exhibition will consist of a wide variety of objects from several Oceanic nations. The greatest number of pieces have come from the Sepik and Ramu river basins of Papua, New Guinea, generally considered to be an area of Oceania where artistic development is especially rich and varied in technique and in the use of materials. Among the other areas of Oceania represented are New Hebrides, New Zealand, and New Caladonia.

      The art of Oceania is deeply rooted in the religious life of the region’s peoples. “Discovered” by Western artists early in this century, these art forms served as a major inspirational source for modernist painters and sculptors, who were greatly influenced by what they regarded as its expressionistic and surreal forms.

      The objects included in the exhibition range in size from fish hooks, which measure 3 inches long, to a carved wooden architectural element that is 13 and a half feet high. Among them are three monumental carved wooden figures created to guard the spirit-filled ceremonial men’s houses; a rare Banks Island prestige staff; a skull rack of palm spathe, raffia, and bamboo decorated with two painted winged faces; an elaborate ceremonial wig made of plant fiber, human hair, and dried flowers; and two intricately carved wooden drums. Also included will be an elongated wooden head representing a spirit figure with the facial features carved in dramatic relief; a wooden bowl in the form of a bird capturing a fish; a green stone ceremonial ax; and a Maori fish hook made from iridescent shell and iron.

      The exhibition has been organized by Associate Curator of African, Oceanic, and New World Art at The Brooklyn Museum, William Siegmann.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 04-06/1990, 091-92. View Original 1 . View Original 2

    Press Coverage of this Exhibition ?

    • THE ANNOTATED CALENDAR: ANTIQUESSeptember 9, 1990 By RITA REIF"LEAD: September ''FIVE YEARS OF 19TH-CENTURY ACQUISITIONS.'' About 60 additions of sculpture and furnishings in the neo-classical, romantic and historical revival styles, including several masterworks in furniture and ceramics never before shown at the museum. Tuesday-Jan. 27, 1991, Metropolitan Museum. ''FIVE STAR FOLK ART.'' Some of the finest..."
    • ANTIQUES; Hard Ancestors To Keep DownOctober 21, 1990 By RITA REIF"LEAD: ''In the darkened interiors of New Guinea's ceremonial houses, when the lights flicker and smoke swirls around the tops of the ancestor figures, they seem no longer earthbound,'' said John A. Friede, a New York collector, in a preview tour of the Oceanic art exhibition which opened last week at the Brooklyn Museum, where it will remain for a..."
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      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.