Exhibitions: Working in Brooklyn: Painting

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Beaker

These two beakers are thought to have been part of a pewter Communion service that once belonged to the First Congregational Church in Jaffr...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Finger Ring

    The Sumerian culture in Iraq, established in the third millennium b.c., was one of the world’s earliest civilizations. It reached a he...

     
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    Working in Brooklyn: Painting

    Press Releases ?
    • Summer 1987: Working in Brooklyn/Painting, the second in a series of exhibitions organized by The Brooklyn Museum and devoted entirely to the work of Brooklyn artists, will be on view in the Robert E. Blum Gallery, located on the first floor, from June 12 through September 17, 1987. Among the twenty painters represented will be both recognized artists who have worked in the borough for a number of years and lesser-known painters who have recently moved their studios to Brooklyn. The presentation includes approximately 70 paintings ranging from the whimsical to the monumental.

      “Because we feel a special responsibility to the local artist community, which exists without an elaborate commercial and institutional structure, two years ago we initiated a series of contemporary exhibitions devoted entirely to Brooklyn artists,” commented Robert T. Buck, Director of The Brooklyn Museum. “We are proud to include in the present exhibition a number of younger artists who are not represented by commercial galleries and have only begun to exhibit their work publicly, yet whose talents suggest a great potential for growth and accomplishment,” he said.

      The artists represented in the exhibition are: Francisco Alvarado-Juarez, Diane Bertolo, Michael David, StanoFilko, Glenn Goldberg, Gary Lang, Thomas Lawson, Valters Lindbergs, Irene Lipton, David Mann, Roxi Marsen, Chris Martin, George McNeil, Susan Wilmarth Rabineau, Dan Rice, Henry Leo Schoebel, Raul Serrano, Stuart Shedletsky, Elyse Taylor, and Christina Viera.

      According to Charlotta Kotik, Curator of Contemporary Art at The Brooklyn Museum, who organized and selected the works for the exhibition, Working in Brooklyn/Painting represents a good cross section of various styles of painting flourishing in Brooklyn, as well as the broad range of ideas and issues important to artists nationwide. Besides celebrating the substantial amount of work being created in the borough, the presentation also constitutes a tribute to George McNeil, who was born in Brooklyn almost eighty years ago and taught at Pratt Institute for thirty-two years. Five of the artist’s monumental paintings are included in the exhibition.

      Working in Brooklyn/Painting has been made possible, in part, by the Dime Savings Bank of New York, FSB. The exhibition is accompanied by an illustrated catalogue ($3.95).

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1971 - 1988. 1987, 046-47. View Original 1 . View Original 2

    • Summer 1987: The press release recently sent to you for the exhibition Working in Brooklyn/Painting inadvertently listed an incorrect closing date for the show. Please be advised that the correct closing date is September 7, 1987. Any future mention of the exhibition should carry this date.

      We apologize for the error and any inconvenience correcting it may cause you.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1971 - 1988. 1987, 059. View Original

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    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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