Exhibitions: Realm of Marvels: Collections for the Future

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Tankard

    A tankard made out of valuable material was part of its owner's capital. In the eighteenth century, a tankard might cost more than the annua...

     

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    Realm of Marvels: Collections for the Future

    • Dates: March 17, 2000 through June 18, 2000
    Press Releases ?
    • February 2000: Realm of Marvels: Building Collections for the Future will explore the dual identity of the Brooklyn Museum of Art as both a treasure house of wonders and an ever-changing institution involved in an on-going process of informed collecting. Seventeen major acquisitions will be presented amid groups of related materials that represent the history, depth, and richness of the Museum's holdings. The profusion of objects on view will serve as a reminder of the voracious appetite for knowledge that sparked the creation of many museums in the nineteenth century.

      On view March 17 through June 15, Realm of Marvels is designed to offer visitors an extraordinary visual feast, while at the same time articulating a critical history of individual and institutional collecting.

      “This unusual and exciting exhibition exemplifies the newly redefined mission of the Museum: to use its renowned collections and its expertise to serve the public in a more dynamic way as a destination where visitors can find a personal connection to the past, present, and future through art,” states Museum Director Arnold L. Lehman, who initiated the project. “The BMA is a bridge between the rich artistic heritage of world cultures, as embodied in its collections, and the unique experience of each visitor. This exhibition will explore how the BMA has continued to grow, refining and redefining its holdings through generations of informed curators and supportive collectors. Realm of Marvels will address what the Brooklyn Museum of Art has been and what it aspires to be.”

      The exhibition will include works from almost every major area of the Museum’s vast holdings of more than 1.5 million objects, representing nearly every culture and almost all of recorded time. The seventeen masterpieces that form the core of the exhibition were selected from thousands of works of art acquired within the past decade.

      Realm of Marvels
      was organized by Ellen Reeder, Deputy Director for Art, in collaboration with Teresa Carbone, Associate Curator of American Paintings and Sculpture, and Barry Harwood, Associate Curator of Decorative Arts. Every curatorial department as well as conservation staff members have participated in this complex project.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1995 - 2003. 2000, 006-7. View Original 1 . View Original 2

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      Recent Comments

      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.