Exhibitions: A Family Album: Brooklyn Collects

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Side Chair

    This side chair is an intentional, faithful copy of a chair made more than one hundred years earlier by the famous New York City cabinetmake...

     
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    A Family Album: Brooklyn Collects

    Exhibition Didactics ?
    • A Family Album: Brooklyn Collects
      A Family Album: Brooklyn Collects presents more than two hundred works of art on loan from eighty-five private collectors, celebrating the variety and character of our lenders through the objects they collect. Ranging from ancient Egyptian sculpture to recent video art, these works are organized by lender rather than content. Personal statements included here from many of the collectors—about art , the Brooklyn Museum, or the borough of Brooklyn—offer us meaningful insight.

      Our lenders have ties to Brooklyn as diverse as the art in these galleries. Some were born here and stayed, some moved away, and some—like myself—have returned. Several , without any former connection, have selected Brooklyn as their home or workplace. For many, the borough resonates with associations, from Ebbetts Field and Coney Island to today’s vibrant community of artists in Williamsburg. For others, this Museum represents the spirit of Brooklyn and the place they were first introduced to art and, in a special sense, to the world.

      The idea for Brooklyn Collects grew out of my own feelings about the Brooklyn Museum of Art, and from the very personal experiences expressed in the hundreds of letters that I received when I was appointed Director. In remembering my own childhood experience here, I can focus immediately on one object that has stayed with me for half a century: an exquisite Egyptian ibis coffin in the Museum’ s collection. This Ptolemaic “madeleine” released sweet memories from my youth when I visited it again upon thinking about returning to the BMA, this time as its Director.

      Whether you view this exhibition as a singular “history of art ,” or as a mirror of individual tastes and personalities, it is most of all an extraordinary diorama of “pictures” in our unique “family album.” At some time, all of these collectors—and countless others not included here—found Brooklyn or the Brooklyn Museum to be part of their lives. By lending these objects for others to enjoy, these collectors have, in turn, become more a part of this institution’s life, and I offer my thanks for this tangible, generous, and familial gesture.

      Arnold Lehman
      Director

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    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

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    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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