Exhibitions: First Exhibition of Postage and Revenue Stamps

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First Exhibition of Postage and Revenue Stamps

Dates: March 18, 1899 through March 31, 1899
Organizing Department: Brooklyn Institute of Arts and Sciences

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"Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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"Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
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"For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
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June 2, 1897: Opening Exhibition: Paintings & Other Works of Art
November 1, 1897: Second Loan Exhibition of Paintings
March 22, 1898: Exhibition of Works of Art Suitable for the Decoration of School Rooms
March 17, 1899: American Institute of Architects, Brooklyn Chapter: Annual Exhibition [05th]
March 18, 1899: First Exhibition of Postage and Revenue Stamps
May 13, 1899: Geographical Collections
date unknown, 20th Century: African Gallery (installation)
date unknown, 20th Century: Faculty Show
date unknown, 20th Century: Prison Program

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Brooklyn Institute of Arts and Sciences

The Brooklyn Apprentices' Library Association, founded in 1823, reorganized in 1843 into the Brooklyn Institute of Arts and Sciences. The Institute was the umbrella organization for four major Brooklyn institutions: Brooklyn Museum, Brooklyn Botanic Garden, Brooklyn Children's Museum, and Brooklyn Academy of Music. Several departments of the Institute, especially the Department of Photography, organized exhibitions.

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For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.

For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.

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