Exhibitions: High School Art Work

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Papyrus

In the fifth century B.C.E., Egypt’s Elephantine Island was home to Egyptians, Persians, and Jews. This document comes...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Snuff Spoon/ Hair Ornament

    Ivory’s value results from its scarcity, as well as its association with the elephant, a symbol of power and strength. Ivory bracelets...

     

    High School Art Work

    Press Releases ?
    • October 2, 1929: Announcement of the plans, as far as they have been settled for this present season at the Brooklyn Museum has just been made. The first event of importance will be a dedicatory recital on the large pipe organ which has been presented to the Museum by Mrs. Edward C. Blum, wife of the President of the Brooklyn Institute of Arts and Sciences. This is scheduled to occur on the afternoon of October 28th when Dr. Lynwood Farnum will give the recital and the organ will be accepted for the Museum by a City official who is a member of the Board of Trustees.

      In the Department of Fine Arts the First event will occur in November. The painting galleries will be occupied by the work of New York public school children to show how the art appreciation courses in the schools are carried on. The results of the courses illustrated by examples of pupils' work. In December an event of extreme importance will be the presentation to the public of a large section of early American rooms arranged on a unique plan. At the same time the painting galleries will exhibit the most complete collection of the works of the late Walter Shirlaw ever gotten together. In conjunction with this will be shown the work of students of the summer class of the Art Department of the Brooklyn Institute of Arts and Sciences, of which John R. Koopman is the head.

      The season has already started in the Print Department where an exhibition of recent accessions has been arranged. This will be fol,owed by a showing of modern Norwegian prints from the middle of November to the end of December. After this will come the Annual Exhibition of the Brooklyn Society of Etchers which will open on January 7th and extend to January 31st.

      The next event of great importance will be the opening of the Belgian Exhibition of Fine Arts a large show sponsored by King Albert of Belgium, the Belgian Government and the Belgian Ambassador to the United States, the largest entirely Belgian show ever seen in this country, This will open January 20th and be on view through February.

      Another event which depends upon the completion of installation work is, therefore, indefinite as to date, is the presentation to the public of Japanese gallery which is undergoing complete re-arrangement. The result will give the public an idea of the richness and extent of the Japanese collection which it has never had before.

      Plans for the late winter and spring are not so far advanced as the above but three events have been announced. In March a splendid exhibition of art objects from Java and Bali will be arranged by Mr. Tassilo Adam, Associate Curator in charge of Oriental Art. It will consist of his collection of batiks presented to him by the sultans of Java, Javanese paintings, casts of sculpture from the temples of Borobudur, Buddhistic images, Javanese puppets, and Balinese idols. Plans are being considered for a general exhibition of textile art some time during the season and the late spring it is planned to arrange an international exhibition of both indoor and outdoor sculpture.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1916 - 1930. 10-12/1929, 086-7. View Original 1 . View Original 2

    • October 25, 1929: To the Art Editor:

      Due to the difficulty of getting together the Museum's latest exhibition, we have been unable to invite you to see it before this date. However, it is now available to be seen and reviewed.

      It is an exhibition put on by the Art Department of the Board of Education of New York City. It is to show what has been developed during the last four years in the required courses in the schools known as "Art Appreciation". Along with this will be several exhibits of the elective and advanced work. Twenty-nine high schools will be represented.

      According to the representatives of the Board of Education, New York City is the only one in the country which is attacking the introduction of art to the students in a way that will teach them to enjoy it rather than to dislike it because they do not show technical ability. In other words, of course, the title "Art Appreciation" explains its object. We are told that since this method has been used there is five times as much drawing done among the students as there used to be under the old method of compulsory drawing. However, this is all told in much better detail in the enclosed publicity material.

      The exhibition opens on Sunday, October 27th, and continues through until November 17th.

      Very truly yours,
      ARTHUR H. TORREY
      for the Brooklyn Museum

      AHT:FS

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1916 - 1930. 10-12/1929, 103. View Original

    advanced 106,717 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."


    Recently Tagged Exhibitions

    Warning: Invalid argument supplied for foreach() in /home/www/default/views/opencollection/_tags_list.php on line 15

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.


    Education Division

    The Brooklyn Museum's Education Division, which organizes classes and educational programs for children and adults, had its roots in the educational work of the Brooklyn Institute of Arts and Sciences in the 1890s. Shows of work by students and exhibitions of special interest to students have always been part of the Museum's educational activities.
    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.