Exhibitions: American Block Prints, 04th Annual [Print Club of Philadelphia]

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

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Hiroshige's One Hundred Famous Views of Edo

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American Block Prints, 04th Annual [Print Club of Philadelphia]

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    June 11, 1930: Artists of all nationalities will be represented in an exhibition to be held in the Print Galleries of the Brooklyn Museum during the summer. It comprises the Sixth Annual Exhibition of Block Prints organized by the Philadelphia Print Club. The exhibits will be in black and white and in color. The exhibition will be first presented to the public on Sunday, June 15th, and will continue in the galleries until October 1st.

    Some outstanding names among the exhibitors are: Frances H. Gearhart, Elizabeth Norton, Wanda Gag, Angelo Pinto, Leo J. Meissner, J. J. Lankes, Charles R. Gardner, Leo T. Meissner, Thomas W. Nason, Rockwell Kent, Franz Geritz, James Reid, Tadros Geller, Howard Cook, Howard Cook, Wharton Esherick, Fiske Boyd and M.J. Gallagher.

    Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1916 - 1930. 04-06_1930, 108. View Original

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    Prints, Drawings and Photographs

    Over the years, the collections of the Brooklyn Museum have been organized and reorganized in different ways. Collections of the former Department of Prints, Drawings, and Photographs include works on paper that may fall into other categories: American Art, European Art, Asian Art, Contemporary Art, and Photography.
    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
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