Exhibitions: Italian Renaissance Hall

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Saint Joseph with the Flowering Rod

Called “Lo Spagnoletto” (the little Spaniard) by his Italian clientele, the Spanish-born and trained Ribera made his career in N...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Hand Cross

    Ethiopian Crosses
    Christianity most likely arrived in Ethiopia in the first century. The conversion of King Ezana in 330


    Italian Renaissance Hall

    • Dates: April 11, 1932 through date unknown, 1932
    • Collections: Decorative Arts
    Press Releases ?
    • April 30, 1932: The newly arranged and decorated Italian Hall of the Museum will be formally opened on the same date as the above two exhibitions, April 11th. Though arranged primarily as a gallery, the very nature of the palatial house of the Italian 17th century gives to the rooms some of the character of that period. The immense size of the rooms at the Museum is quite in character with the interiors of the old Palazzos where the nobles ensconced themselves surrounded by a protective ring of many retainers and courtiers.

      The Italian collections were founded by the late A. A. Healy and expanded by the Rembrandt Club, and have been considerably enriched by Frank L. Babbott.

      Many objects of prime importance are seen in the collections shown in this hall, including the very fine altar frontal of boucle velvet, the gift of the Rembrandt Club who also gave the splendid collection of velvets, brocades and embroideries. Over one of the doors is the magnificent faience relief “The Resurrection of Christ” by Giovanni Della Robbia, the gift of A. A. Healy.

      The decorative arts displayed in the rooms show typical furniture with its architectural inspiration in design, and numerous examples of majolica in the best known forms and from are modern by copied from traditional motifs. The general feeling of the rooms of the period is felt in the richness of the darker colors of the furniture and background relieved by the accents of the decorative objects, the hangings and the pictures.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 01-06_1932, 032. View Original

    advanced 109,133 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.

    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.