Exhibitions: Paintings, Drawings, Design, Masks & Models by Students of Pratt Institute

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

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Hiroshige's One Hundred Famous Views of Edo

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    On View: Statue of Robert Fulton

    This imposing statue commemorating Robert Fulton (1765–1815) portrays the famous American engineer and inventor with a model of his bo...

     

    Paintings, Drawings, Design, Masks & Models by Students of Pratt Institute

    • Dates: April 24, 1935 through May 1935
    • Collections: American Art
    Press Releases ?
    • April 20, 1935: The Educational Department of the Brooklyn Museum will open on April 24th (Wednesday) for a period of two weeks an exhibition of Paintings, Drawings, Designs, Masks and Models by students in Pratt Institute. This work is based on the study of Brooklyn Museum collections including library and school service materials, illustrating the arts and life of primitive peoples. Polynesia, Melanesia, Africa and the American Indiana of the Southwest and of the Northwest Coast are represented. The work is by first year students in the Teachers' Training Course end is in preparation for practice teaching classes at the Brooklyn Museum during their second and third years of study. Their work is under the direction of Miss Carolyn Ashbrook of Pratt Institute, Mrs. Michelle Murphy and Miss Hanna T. Rose of the Brooklyn Museum. The first year work in museum research is designed to familiarize the students with the use of museum facilities for study and to give them the necessary background forthcoming that involves the use of these materials with classes.

      The models worked out in great detail, show village life in the Arctic, Southwest, Africa, and the South Seas. Some of the masks are exact copies of museum specimens. Others the original designs but done in the spirit of primitive work. Hundreds of gayly colored designs and paintings represent the decorative possibilities to be found in the study of the life and arts of primitive peoples. They also exhibit a professional technique remarkable in the work of young artists just out of high school.
      This exhibition will be open April 24 to May 9.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 04-06_1935, 061. View Original

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    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
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    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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