Exhibitions: Chalice of Antioch and Accompanying Antioch Treasure

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Torso from a Standing Statuette of a King

The idealized modeling of this torso harks back to royal sculpture of Dynasty IV (circa 2600–2475 B....

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Egyptian Priest Kneeling with Offering Table

    The kneeling posture conveys honor and reverence. The offering table suggests appeasement because it takes the form of a hieroglyph for &ldq...

     

    Chalice of Antioch and Accompanying Antioch Treasure

    • Dates: December 6, 1935 through January 20, 1936
    • Collections: Decorative Arts
    Press Releases ?
    • October 3, 1935: The celebrated Chalice of Antioch, insured for several times the proverbial "king’s ransom" and guarded by armed men day and night, will be exhibited at the Brooklyn Museum for six weeks beginning Saturday, December 7th. The day before, it will be installed in the museum and shown to members and guests at the opening of the new Gallery of Medieval Art.

      Formerly exhibited at the Louvre, but in this country only at the Century of Progress Exhibition in Chicago, the Chalice bas been in the United States since 1914 when it was rushed here for safety men the German advance threatened Paris. At the Brooklyn Museum it will be shown through the courtesy of Mr. Fahim J. Kouchakji with related objects -- a lesser chalice, a large silver cross, and three silver book covers, all said to have been found in Antioch, and together with the Chalice comprising a collection which has been known for many years as ”The Antioch Treasure"

      In itself the Chalice is an object of rare beauty, 7 1/2 inches high, a masterpiece of the work of the silversmith of early Christian times.

      It consists of two parts, an inner cup of plain silver without decoration of any kind, and an elaborate outer cup in form of goblet, the foot and cup of which are composed of rich repoussee, chased and possibly cast ornament. The design is a scroll of vine branches, tendrils, and leaves, within which are involved twelve seated figures and numerous lesser motives - star, lamb, basket of loaves, etc. The figures are in Roman garb and seated. Ten of them raise their hands in Imperial salute. The other two receive this homage and are not two persons, but two representations of the same person, one young and one mature. The group has been identified as representing Evangelists, Apostles and two images of Christ enthroned, a subject which in early Christian iconography was frequently conceived in terms of a Roman Emperor receiving the homage of his subjects, and In the earliest tines was patterned after the wide spread images of the beloved and deified Caius Octavius Augustus, the contemporary of Jesus of Nazareth.

      The cup has naturally become an object of interest and religious reverence to the devout, something of a shrine to which pilgrims come from long distances as in the middle ages. It has also attracted the interest of many learned students of Christian iconography and of early Christian metal work and ornamental design. Similarities have been pointed out between the design of this chalice and of other work of the period. For instance a piece of Coptic tapestry weaving of the Third Century A.D. from the collection of Dr. Hermann Burg, now on exhibit at the Brooklyn Museum, shows a border of vine branches, leaves and tendrils remarkably like that on the chalice.

      An extensive literature has sprung up about the chalice, in which it has been discussed from many learned points of view. Whatever opinion one is inclined to accept, the Chalice remains an object of profound scholarly and religious interests and of great beauty, a rare and unusual example of work of the silversmith, to be reverently regarded alike by the student of religion 2nd the student of decorative art.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 10-12_1935, 117-8. View Original 1 . View Original 2

    • December 6, 1935: Among those present at the opening of the new Gallery of Medieval Art and the exhibition of the Antioch Treasure at the Brooklyn Museum on Friday, December 6 were:

      Mr. and Mrs. Fahim Kouchakji
      Mr. and Mrs. Gordon Colton
      Mrs. Robert F. Lee
      Mr. John Tuthill
      Dr. Frank Curran
      Mr. John Hines
      Mrs. Robert Henry
      Mr. and Mrs. Milton Horn
      Mrs. Grant H. Code
      Mrs. Kelly
      Mrs. Morrin
      Mr. E. Hillman
      Miss Harriet B. Meyer
      Mrs. Schniewind
      Mrs. Carl Schniewind
      Mrs. John Marshall
      Mrs. George Auld
      Miss Elizabeth Auld
      Mr. and Mrs. Edward E. Blum
      Mr. E. Silberman
      Mr. A. Silberman
      Mr. Frank Gardner Hale
      Mrs. Frederick Sweet
      Dr. and Mrs. Guthrie
      Mr. Henry Grant
      Mr. H. David Hill
      Miss Anne Hunt
      Dr. Luke Kennedy
      Mrs. John Leech
      Mrs. Frederick K. Middlebrook
      Mrs. Carl p. Huff
      Mrs. Frederick C. Fleming
      Mrs. R. R. Belknap
      Miss Prudence Gager
      Dr. and Mrs. Stuart C. Gager
      Mrs. Hermann de Wetter
      Mr. Allen Porter
      Mrs. George Cannon
      Mrs. Henry Rice
      Mrs. John Laud
      Mrs. Keck
      Mrs. Lewis H. Porter
      Dr. W. W. Share
      Miss Mildred Woods
      Mr. John Marshall
      Mr. Stevenson
      Mr. Walter H. Crittenden
      Mr. and Mrs. Phillip N. Youtz
      Mr. and Mrs. Arthur Chase
      Mrs. Lewis W. Francis
      Mr. and Mrs. John J. Schoonhoven
      Mrs. Ralph Root
      Madame Weidel
      Mr. Edward Helwig
      Mr. Burke
      Mrs. Beryl Rogers McClaskey

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 10-12_1935, 119. View Original

    • December 6, 1935: The new Gallery of Medieval Art at the Brooklyn Museum was opened this afternoon (December 6) with a reception and private view for members of the Museum and guests. It will be open to the public on Saturday. At the same time the Museum placed on exhibition on the First Floor the great Chalice of Antioch and other related objects lent through the courtesy of Mr. Fahim Kouchakji. Mr. Kouchakji's collection, known as the Antioch Treasure, includes a lesser chalice, a large silver cross, and three silver book covers as well as the great chalice. All date from early Christian times and are rare and beautiful examples of the work of the ancient silversmith.

      A case of jewelry and enamels representing the work of the contemporary enamelist and goldsmith jeweler will also be on display from December 6 to December 11. The work in this case is by Mr. Frank Gardner Hale, dean of the Boston jewelers, who will lecture at the Museum at 4 o'clock on the afternoon of Monday, December 9. The subject of his discourse will be "The Art of the Jeweler and Goldsmith." In the course of his remarks he; will describe the craft of the ancient silversmith used in producing such works as the Antioch Chalice.

      The collection of medieval art, comprising Byzantine art and art of western Europe, includes sculpture, painting, mosaic, illuminated manuscript books, coins, jewelry, tapestries and other woven textiles, pottery, wrought iron, arms and armor. It represents over a thousand years of history, from the founding of Constantinople in 330 A.D. to the discovery of America.
      Some objects of later date arc included to indicate the persistent influence of the medieval tradition. The illustrated handbook describes 225 items and includes essays on the middle ages by Mr. Marvin Chauncey Ross, Curator, and Miss Louise Chase, his assistant.

      The new gallery of Medieval Art has been constructed in space formerly occupied by an open balcony running round the light well of the Classical Court on the floor below. Inner walls have been built to make this space suitable for exhibition purposes. Color is used in the backgrounds to enrich the affect of the installation. Miss Christine. Krehbiel, stylist of the Museum Staff, is responsible for the color scheme design of special cases and pedestals and for many details of arrangement.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 10-12_1935, 123. View Original

    • January 1, 1936: Mrs. R. Edson Doolittle will discuss the Antioch Chalice (on exhibit at the Brooklyn Museum through January 6) in her lecture at the Academy of Music, Brooklyn Institute of Arts and Sciences, Thursday, January 2 at 4 P.M. The subject of Mrs. Doolittle’s lecture is “Masterpieces in the Friedsam Collection in the Brooklyn Museum" She will show how the objects in this collection are related to those in the new Gallery of Medieval Art and to some other objects in the Brooklyn Museum.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 01-03_1936, 001. View Original

    • January 6, 1936: On account of continued public interest in the Antioch Chalice and related objects exhibited in the Main Entrance Hall of the Brooklyn Museum, arrangements have been made to continue this exhibition through January 20. The collection, known as the Antioch Treasure, is lent through the courtesy of Mr. Fahim J. Kouchakji.

      THE FEATURE OF THE WEEK
      In order to acquaint visitors to the Brooklyn Museum with a number of works of art which, in the midst of other exhibits, might not receive the attention they merit, even though each is for some reason noteworthy, the Museum will exhibit one of these objects each week in the main entrance hall near the information and sales desk.

      These features will be selected from different curatorial departments, where many more objects of equal interest and importance are on permanent exhibition. The first object selected for exhibit as the Feature of the Week Is RECLINING TORSO (faience) by Alexander Archipenko. Archipenko was born at Kiev in the Ukraine in 1887. His early work centered about Paris, Nice and Berlin. In 1923, he came to New York where he established the Ecole d’Art. A continual experimenter, he works in many materials — notably marble, bronze and colored ceramic or faience. His sculpture has great vitality and purity of form.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1931 - 1936. 01-03_1936, 004. View Original

    advanced 107,076 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."


    Recently Tagged Exhibitions

    Warning: Invalid argument supplied for foreach() in /home/www/default/views/opencollection/_tags_list.php on line 15

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.


    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.