Exhibitions: Old Arts of the Northern Andes

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

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    On View: Amulet in the Form of a Heart

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    Old Arts of the Northern Andes

    Press Releases ?
    • January 13, 1939: Newly imported archaeological art from Panama, Colombia, Ecuador and Peru will be placed on public view in the Brooklyn Museum today (Friday, January 10th). The exhibit consists for the most part of large portrait figures of clay and richly decorated funeral pottery, as well as amulets and tools of gold and bronze collected by Dr. Herbert J. Spinden during a six months survey of the northern Andes for this Institution.

      From Panama comes gilded jewelry in the Coclé style supplementing the Museum's original share in the exploration of Coclé by Harvard University. About thirty pieces, representing eagles, frogs and grotesque animals, have a fragile copper base for a thin coating of fine gold. These required the most modern technique of restoration before being ready for exhibition.

      The greater part of the exhibition will present Colombian ceramics. Included will be two nude figures seated on the lids of funeral urns from a newly discovered archaeological district in the central part of the Magdalena Valley, a selection of Chibcha figurines and painted dishes, and other pieces illustrating the famous culture of the Quimbaya Indians who lived in the Caunca Valley. Throughout the Colombian Andes large figures of men and women intended to be placed in the graves and perhaps having some portrait quality are distinguished by strength and simplicity. Other pottery shows interesting techniques including that of painting with wax and black and red pigments to give negative designs. This technique, peculiar to the New World, was known from Mexico to Peru.

      A series of bronze axes from Ecuador illustrate the transformation of those tools or weapons ending in an unusual specimen about a foot in width which may have been mounted as a broad axe on a pole.

      A few specimens of finely decorated pottery from Peru have been chosen for esthetic interest. These include a kneeling warrior of Chimu style in polished black ware, a large vessel from Aipe decorated with a stylized jaguar, another piece illustrating the best polychrome pottery of Pachacamac and a funeral vase from Nasca with a magical painting of dead men helping to make corn and bean grow.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939. 01-03/1939, 011. View Original

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    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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