Exhibitions: Japanese Prints

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    Japanese Prints

    • Dates: April 5, 1940 through May 19, 1940
    • Collections: Asian Art
    Press Releases ?
    • April 8, 1940: An exhibition of prints in the Ukiyoye style - which to the Japanese means, roughly, “the passing scene,” and which in this country would mean “popular art” - was put on view Sunday, April 7, at the Brooklyn Museum in the Print Gallery, 2nd floor, and will continue through Sunday, May 19.

      At this time the Museum is showing some of its latest acquisitions, consisting of gifts by Miss Marion Cutter and Mr. Louis V. Ledoux, and Museum purchases from the George Tutle Collection. It includes such artists as: Utagawa Hiroshige, Katsushika Hokusai, Suzuki Harunobu, and Totoya Hokkei.

      One of the rarest prints in the exhibition - which undoubtedly influenced James McNeill Whistler’s style — is by Hiroshige, and is one of only five known prints of its kind. There are several different impressions of the subject employing reds and blues, but this one is remarkable to collectors because it is in blue only.

      The exhibition shows how expertly the Japanese solved, as far back as the 18th Century, a problem that is still perplexing this country; that is, to make available fine, attractive pictures at a low price. Many prints of the Ukiyoye School sold originally in Japan for a few cents.

      Most of the Museum collection in this field is shown in this exhibition.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1939 - 1941. 03-04/1940, 076. View Original

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      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.