Exhibitions: International Watercolor Exhibition, 14th Biennial

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    International Watercolor Exhibition, 14th Biennial

    Press Releases ?
    • April 16, 1947: About 150 European water colors, not previously shown in this country, in addition to some eighty American water colors will comprise the Museum’s first post-war International Water Color Exhibition, the 14th in its biennial series. The exhibition will open to the public on April 16, preceded by a preview for Museum members and guests on April 15. It will remain at the Museum through June 8.

      Following its usual policy, the Museum has limited the foreign division of the show to three countries - this year England, France and Italy - in order to represent more adequately in each the significant modern developments. Because so long a time has elapsed since the last showing of European work, a larger than customary number of foreign papers has been included, while the United States section is somewhat smaller than usual.

      The 45 Italian pictures were selected for the Museum by Lionello Venturi and Professor Ranuccio Bianchi Bandinelli, Director General of Fine Arts in the Ministero della Pubblica Istruzione. They include work by such established artists as Giorgio Morandi and Carlo Carra as well as many papers by men who are little known in this country, such as Renato Guttuso, Fausto Pirandello and Mino Maccari.

      The British section was assembled by Mr. James Laver and Major A. A. Longden of the British Council. Many of the pictures are lent by the Imperial War Museum and deal with the Battle of Britain. Among the 29 artists represented in the large group of 66 papers are Edward Bawden, Henry Moore, John Piper, Eric Ravilious, Stanley Spencer, Graham Sutherland, Felix Topolski and John Tunnard, as well as many less familiar names.

      In France, the selection was made by Rene Huyghe, Curator in Chief at the Louvre, and Philippe Erlanger of the Association Francaise d’Action Artistique. While the French is the smallest of the foreign groups it covers wider ground than the others with 41 artists represented by single papers. The names include Jean Aujame, Lucien Coutaud, Francois Desnoyer, Andre Fougeron, Andre Lhote, Jean Lurcat, Andre Marchand, Andre Masson, Georges Rouault, Jacques Villon, Henry de Waroquier and Ossip Zadkine.

      The United States section, as in the past, has been assembled with the double purpose of representing the progressive modern trends in contemporary water color painting and of including a number of lesser known men of promise in addition to artists of established reputation.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1947 - 1952. 04-06/1947, 065-66. View Original 1 . View Original 2

    • May 14, 1947: From the International Water Color Exhibition now current at the Brooklyn Museum through June 8th, the Museum has announced the following purchases made by the Museum to add to its permanent collection:

      Callahan, Kenneth; Conversation
      Menkes, Sigmund; Peonies
      Pratt, Frances; The Grasses
      Rothko, Mark; Vessels of Magic
      Schrag, Karl; Trees Against the Sky
      Zerbe, Karl; Still Life with Skull
      Maccari, Mino (Italy); Enigma
      Topolski, Felix (England); St. Paul’s Conversion
      Tunnard, John (England); December Solstice
      Zadkine, Ossip (France); Human Forest

      Those purchases cover France, Great Britain, Italy and the United States, the nations represented in this year’s show, the 14th in this important biennial series.

      Also from the exhibitions water colors were the following sold to private collectors:

      Bartolini, Luigi (Italy); Soldier with Girl
      Gordon, Maurice; Gypsy
      Tunnard, John (England); New Day
      Vaughan, Keith (England); Small Orchard

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1947 - 1952. 04-06/1947, 077. View Original

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      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.