Exhibitions: Laura Miller and Vivian S. Steinberg

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Headless Statuette of a Female

The shapely forms of this statuette are characteristic of the ideal feminine body type of the Ptolemaic Period. During Greek rule, full thig...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: The Wave

    Embracing a subject that corresponded to the natural "life" of white alabaster, the Brooklynite Robert Laurent here worked his design onto t...


    Laura Miller and Vivian S. Steinberg

    Press Releases ?
    • December 8, 1947: The Brooklyn Museum Art School announces an exhibition of paintings by Laura Miller and Vivian Steinberg at the Art School Gallery from December 8 through December 31.

      Both artists have studied with Rufino Tamayo in his Creative Painting Workshop at The Brooklyn Museum Art School. Speaking of their work Tamayo declares: “It is good to see the kind of painting these young artists are doing. Not imitation photography, but real painting. Poetry in plastic form.”

      Laura Miller, Brooklyn born, graduate of Cooper Union, worked at important drafting job during war at Brooklyn Navy Yard, has studied with Tamayo since he came to the Brooklyn Museum Art School. Previously studied with George Picken, also at the Art School, and with Morris Cantor and Byron Thomas. Her aim in painting is not to imitate nature, but to get an insight into the creative process of life itself, and capture it in plastic form.

      Vivian Steinberg, also a graduate of Cooper Union before studying in the Tamayo Workshop, has been interested in painting from childhood. Studied modern dance with Martha Graham and Jane Dudley, designed costumes and sets for dance productions, and discovered many illuminating points of contact between modern dance and modern art. She is now instructing children’s art classes at the Brooklyn Museum. Her approach to painting is experimental and attempts to achieve a total integration of subject, emotion and form.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1947 - 1952. 10-12/1947, 169. View Original

    • December 8, 1947: An exhibition of new paintings by Vivian Steinberg, who has danced professionally with the Nina Fonaroff group, is announced by the Brooklyn Museum Art School beginning December 8 and continuing through December 31, 1947. The exhibition will be held in the Art School Gallery.

      Miss Steinberg, long interested in the integration of the arts, has discovered through her study of dance form and dynamics with Martha Graham and Jane Dudley, a vital relationship between the space composition and structural movement of modern dance and the plastic form and movement in modern painting. Although neither dancing nor dancers are included in her present range of subject matter, she feels that her experience as a dancer and designer of costumes and sets for modern dance productions have given her a richer approach to painting. She was art director of the Perry Mansefield Theatre Workshop in Colorado and danced there in Merce Cunningham’s dance drama. As a student in the Creative Painting Workshop under Rufino Tamayo in the Brooklyn Museum Art School, she has continued her urge to experiment in the field of plastic form in an effort to capture, through color, forms and shapes, an imaginative vision of man and his world.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1947 - 1952. 10-12/1947, 170. View Original

    advanced 110,591 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.

    Brooklyn Museum Art School

    The Brooklyn Museum Art School opened at the Brooklyn Museum in 1941 and was transferred to the Pratt Institute's Continuing Education Division in 1985. While not a degree-granting institution, its chief purpose was the training of professional artists, although it also offered classes for amateurs. The Art School organized regular group and one-person exhibitions, which were held in the school's gallery and classrooms in the Museum's west wing.
    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.