Exhibitions: Photography by Carl Strüwe

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Figure (Uli)

The features of this uli figure—the large head with pointed beard, the short legs, and the presence of a penis and breasts—are c...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Broad Collar

    As early as the Old Kingdom (circa 2670–2195 B.C.), Egyptian artisans fashioned images of gods, k...

     

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    Photography by Carl Strüwe

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      February 12, 1949: The Brooklyn Museum will open tomorrow (February 13) an exhibition of 34 photographs by Carl Strüwe, a German photographer now residing at Bielefeld, Germany. The exhibition will remain on view through March 20.

      The photographs, made with an ordinary camera, reveal natural forms as seen through a simple microscope. The photographer does not intend to present these subjects as scientific data but to give a glimpse into a realm of surprising and fantastic forms which are intriguing and often inspiring in their unique and varing beauty.

      The photographs often remind us of modern artists such as Klee or Kandinsky and yet they do no encroach upon the field of painting. Rather they suggest possible sources and explanation for modern abstract art, unearthing a whole world of beauty invisible to the naked eye. One photograph entitled “Circles and Lines” is actually the respiratory openings of a leaf. Another picture “Circles and Spirals” shows blood corpuscles and bacteria. Still another “Crystal Formation” reveals the fascinating tree-like structure of crystals of potassium chloride.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1947 - 1952. 01-03/1949, 024. View Original

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      Recent Comments

      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
      By shelley

      "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
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      "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
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      Prints, Drawings and Photographs

      Over the years, the collections of the Brooklyn Museum have been organized and reorganized in different ways. Collections of the former Department of Prints, Drawings, and Photographs include works on paper that may fall into other categories: American Art, European Art, Asian Art, Contemporary Art, and Photography.
      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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