Exhibitions: Contemporary Women: Consciousness & Content

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Modern Madonna

Like her contemporary Mary Cassatt, Bessie Potter Vonnoh favored young children and their mothers as subjects. In this bronze, a mother gaze...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Relief of the Goddess Mut

    Before the end of the New Kingdom almost all images of female figures wearing the Double Crown of Upper and Lower Egypt were depictions of t...

     

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    Contemporary Women: Consciousness & Content

    Press Releases ?
    • September 20, 1977: Contemporary Women: Consciousness and Content, a selection of recent paintings, sculpture, drawings, and video-tape by 29 women artists, will be held at The Brooklyn Museum, Eastern Parkway and Washington Avenue, from October 1 through October 27. Most of the works on view were produced during the past five years; all but two of the artists represented are living. The exhibition was organized for The Brooklyn Museum Art school by Joan Semmel, an artist and teacher at the school; it reflects her personal insight into some specific issues related to the feminist art movement in the United States today.

      “The constant recurrence of self-images and autobiographical references in women’s art has paralleled feminist preoccupation with the connections between the personal and the public,” Joan Semmel says. “This exhibition focuses on four thematic ideas which occur with uncommon frequency in women’s art: sexual imagery, both abstract and figurative; autobiography and self-image; the celebration of devalued subject matter and media which have been traditionally relegated to women; and anthropomorphic or nature forms....The price for entrance into the cathedral of ‘high art’ has been conformity to male modes. Today women artists, for the first time, have begun to develop a unique inconography which, while fitting into more or less accepted stylistic categories, is radically different in intent and content.”

      Artists represented in the show are Eleanor Antin, Lynda Benglis, Judith Bernstein, Louise Bourgeois, Cynthia Carlson, Judy Chicago, Mary Beth Edelson, Audrey Flack, Mary Frank, Nancy Grossman, Harmony Hammond, Ann Healy, Eva Hesse (deceased), Buffie Johnson, Joyce Kozloff, Ellen Lanyon, Pat Lasch, May Stevens, Marisol, Ree Morton (deceased) , Louise Nevelson, Miriam Schapiro, Joan Semmel, Sylvia Sleigh, Joan Snyder, Anita Steckel, Pat Steir, Michelle Stuart, and Hannah Wilke.

      A symposium on the occasion of the show, The Personal and Public in Women's Art, will be held at The Brooklyn Museum on Sunday, October 23, at 2 p.m. Moderated by Joan Semmel, panelists include Lawrence Alloway, author and critic; Harmony Hammond, artist; Joyce Kozloff, artist; Carter Ratcliff, poet and critic; and May Stevens, artist. Admission is $2.00 for students and Museum members, $3.00 for non-members.

      Contemporary Women: Consciousness and Content opens October 1 simultaneously with Women Artists: 1550-1950, the Museum’s major autumn exhibition; and Anni Albers: Drawings and Prints, 77 gouaches, drawings and prints (lithography, screenprints, embossing, photo offset, and intaglio) by the internationally-known weaver, designer and teacher.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1971 - 1988. 1977, 022-23. View Original 1 . View Original 2

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      Recent Comments

      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
      By shelley

      "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
      By Aimee Record

      "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
      By Lou Siegel

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      Brooklyn Museum Art School

      The Brooklyn Museum Art School opened at the Brooklyn Museum in 1941 and was transferred to the Pratt Institute's Continuing Education Division in 1985. While not a degree-granting institution, its chief purpose was the training of professional artists, although it also offered classes for amateurs. The Art School organized regular group and one-person exhibitions, which were held in the school's gallery and classrooms in the Museum's west wing.
      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.