Exhibitions: Artists of 'Old 9'

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Fragment from a Relief of a Worshipper

Both of these figures wear priestly attire. One has his hands raised In a gesture of prayer or adoration, while the other—to judge fro...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Dance Headdress (Ci-wara Kun)

    These headdresses, called ci-wara, represent antelopes, important animals in Bamana philosophy. The antelope’s power is a metaphor for...

     

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    Artists of 'Old 9'

    Press Releases ?
    • December 12, 1978: Artists of “Old 9”, an exhibition of paintings, sculpture and graphics by twenty artists, will be on view in the Community Gallery of The Brooklyn Museum from December 17 through January 21. An Artists Reception will be held Sunday, December 17, from 1 to 4 P.M.

      The exhibition, organized by Brooklyn sculptor Marc Richard Mellon, presents the works of twenty community artists who have studios in the old P.S. 9 building located in Prospect Heights, which is now utilized as a community arts and service center sponsored by the Prospect Heights Neighborhood Corporation. The first floor of the old schoolhouse is community space for a broad spectrum of activities, including an after-school center, art classes for children, and block association meetings. The classrooms on the top three floors are now occupied as studios by both visual and performing artists. These artists have helped make “Old 9” a vital center of creative activity for the Prospect Heights neighborhood. The exhibition was installed by Richard Waller, Coordinator of the Community Gallery.

      The participating visual artists are: Mieko Asada, Christine Barbaro, Lucille Cobb, Enrico Giordano, Betsy Gross, Geraldine Gventer, Barney Hodes, Loretta Horn, Arthur Johnson, Richard Laurenzi, Marc Richard Mellon, Janice Nowinski, Len Rachlin, Seiji Saito, Marie Schepis, Marjorie Stephens, Richard Todd, Anthony Trocchio, Jaye Adams Yule, and Michael Zack.

      In conjunction with the exhibition, a series of programs by the “Old 9” performing artists will be present in the Community Gallery at 3:30 P.M.: January 7, Gulf Theatre Workshop; January 13, Alice Keyes Dance Company; January 14, Natural Roots Fold Performing Company; January 20, A Baker’s Half Dozen Dance Theatre; and January 21, Ferandun Fashions.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1971 - 1988. 1978, 033. View Original

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      Recent Comments

      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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      Community Gallery

      The Community Gallery program, 1968-86, provided a venue for local artists and arts organizations as part of the Brooklyn Museum's commitment to being "a people's museum: friendly, informal, focusing on service to the community."
      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.