Exhibitions: Influences

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Plate, Eva

Today when we think of where inventive contemporary design is manufactured, we often think of Italy. This, however, was not always the cas...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Kneeling Statue of Nesbanebdjedet

    Nesbanebdjedet was one of several Libyans contending for rule in Egypt from the end of Dynasty XXII to Dynasty XXIV. He seems to have had an...

     

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    Influences

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    Press Coverage of this Exhibition ?

    • CRITICS' CHOICES: BEST IN ENTERTAINMENT THIS HOLIDAY WEEKENDNovember 26, 1982 By John Russell"Museums Like every other good exhibition, the Yves Klein show at the Guggenheim Museum, Fifth Avenue and 89th Street, results from an act of faith and an act of passion. It was an act of faith with Dominique de Menil, who pushed the exhibition through and devised its first installation in Houston, that the work of Yves Klein was something with..." (New York Times Fee Required)
    • ART: MEGA TO MINI IN 2 SHOWSDecember 24, 1982 By GRACE GLUECK"AMONG the many outdoor sights to see around Manhattan this holiday season works of art loom large. Two recent - and temporary - additions to the scene, by the well-known English-born sculptor William Tucker, and Stewart Wilson, a young North Carolinian-turned-New Yorker, are in midtown, and well worth including on a Christmas constitutional...."
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      Recent Comments

      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
      By shelley

      "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
      By Aimee Record

      "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
      By Lou Siegel

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      Brooklyn Museum Art School

      The Brooklyn Museum Art School opened at the Brooklyn Museum in 1941 and was transferred to the Pratt Institute's Continuing Education Division in 1985. While not a degree-granting institution, its chief purpose was the training of professional artists, although it also offered classes for amateurs. The Art School organized regular group and one-person exhibitions, which were held in the school's gallery and classrooms in the Museum's west wing.
      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
      This section utilizes the New York Times API in order to display related materials in New York Times publications.