Exhibitions: Philip Pearlstein: A Retrospective

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Bowl with Kufic Calligraphy

The Arabic inscription on this bowl reads, “Planning before work protects from regrets; patience is the key to comfort.”

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Relief of the Goddess Mut

    Before the end of the New Kingdom almost all images of female figures wearing the Double Crown of Upper and Lower Egypt were depictions of t...

     

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    Philip Pearlstein: A Retrospective

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    Press Releases ?

    Press Coverage of this Exhibition ?

    • ART: PEARLSTEIN'S REALITYJuly 15, 1983 By VIVIEN RAYNOR"THE touchy subject of realism is up for consideration again, at the Brooklyn Museum. This is where a retrospective by Philip Pearlstein, having originated at the Milwaukee Art Museum under the direction of its chief curator, Russell Bowman, opens tomorrow. The exhibition, on view through Sept. 18, is paralleled by a small display of the artist's..."
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      "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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      The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
      For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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