Exhibitions: Recent Acquisitions: Photographs

  • 1st Floor
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  • 2nd Floor
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  • 3rd Floor
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  • 4th Floor
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  • 5th Floor
    Luce Center for American Art

On View: Staten Island and the Narrows

This lively image records the lower New York harbor between southern Brooklyn and Staten Island that is now spanned by the Verrazano Bridge....

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Winter

    This statue of a shivering child personifies the winter season and, appropriately enough, was once part of an outdoor decorative scheme inst...

     

    Recent Acquisitions: Photographs

    Press Releases ?
    • June 1989: A selection of 60 photographs acquired by The Brooklyn Museum over the last four years is featured in an exhibition entitled Selected Photographs at The Brooklyn Museum. It comprises works dating from the late 19th century through the present and is installed in the Museum’s Prints and Drawings Galleries, located on the second floor. The exhibition opened June 30 and will remain on view through September 18, 1989.

      Photographs on view range in style from the classic portraiture of Edward Steichen (American, 1879-1973) and Paul Strand (American, 1890-1976) to the pictorialism of Alvin Langdon Coburn (American, British born, 18.82-1966) and the social documentation of Lewis Wickes Hine (American, 1874-1940).

      Highlights include Susan Wides’ (American, b. 1955) trompe l’oeil Massacre of the Moran Gang, 1987; Arthur Tress’ (American, b. 1940) narrative tableau Man with Sheep, 1974; and a rare photograph by Weegee (Arthur Fellig) (American, 1900-1968) depicting the essence and mystery of Marylin Monroe and exposing a rare aspect of the work of this popular photographer. This eclectic selection of highlights is indicative of the wide-ranging interests and collection policy of the Museum.

      The exhibition has been selected and organized by Barbara Head Millstein, Associate Curator in the Museum’s American Painting and Sculpture Department.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 1989, 094-95. View Original 1 . View Original 2

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    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
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    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
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    Prints, Drawings and Photographs

    Over the years, the collections of the Brooklyn Museum have been organized and reorganized in different ways. Collections of the former Department of Prints, Drawings, and Photographs include works on paper that may fall into other categories: American Art, European Art, Asian Art, Contemporary Art, and Photography.
    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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