Exhibitions: Charles Caryl Coleman

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

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Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Tear Drop Shaped Vase with Painted Designs of Maidens, Cows, Swamp Plants, etc.

    During the reign of Amunhotep III, light blue was the most popular color in the artist's palette; it may have been the King's favorite color...

     

    Charles Caryl Coleman

    Press Releases ?
    • December 7, 1928: The Brooklyn Museum announces a special exhibition of a group of oil paintings, water colors and pastels by the late Charles Caryl Coleman, the eminent American artist whose death on December 5th has just been announced in the newspapers. The exhibition is on view on the third floor of the Museum in one of the east galleries and will open to the public on Sunday, December 9th. It will continue through the holidays.

      The Museum feels that this is an appropriate showing due to the close relations that it had with Mr. Coleman. Mr. Coleman was an artist of international reputation as is evidenced by the Museum's who possess his works and by his connections with artists abroad. In this country his pictures hang in the Brooklyn Museum, the Buffalo Fine Arts Academy, the Detroit Institute, the St. Louis Museum, the Louisville Museum of Fine Arts. He was a member of the National Academy of Design, the National Arts Club, the Players, and the London Arts Club and an Associate member of the Newspaper Artists' Association and the Order of the Loyal Legion.

      Mr. Coleman residence was the island of Capri for the last fifty years. However, he made several visits to the United States during this time. As a young man he returned from Italy to take part in the Civil War as a Union Soldier. In 1866 he returned to Europe and painter in London, Paris, Rome and in the Villa Narcissus, his home on the island of Capri.

      The pictures shown by the Museum comprise religious subjects, for which he was famous, as well as a group of water colors and pastels of the eruptions of Vesuvius. He was interested in catching the various atmospheric effects and changes made by the volcano on the clouds and on the surface of the Bay of Naples. Also in the exhibition there are many other works illustrating the charm, and beauty of Italy.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1916 - 1930. 10-12/1928, 134. View Original

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    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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