Exhibitions: Monet & His Contemporaries

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Head of Youth

Made by a Greek sculptor in the Egyptian capital of Alexandria, this head reveals characteristics of both Greek and Egyptian art. It has &qu...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: A Ride for Liberty -- The Fugitive Slaves (recto)

    During and even immediately after the Civil War, very few American artists undertook direct representations of the catastrophic conflict or ...

     

    Monet & His Contemporaries

    • Dates: October 1990 through June 3, 1991
    • Collections: European Art
    Press Releases ?
    • June 1990: Five important Monet landscapes from The Brooklyn Museum’s permanent collection of European paintings will serve as the focal point of an exhibition of Impressionist and Post Impressionist paintings and works on paper. Entitled Monet and His Contemporaries, it will open in the Lobby Gallery of The Brooklyn Museum on September 14 where it will remain on view through June 3, 1991. The exhibition, the latest in the Curator’s Choice series, is made possible by a generous grant from The Florence Gould Foundation.

      Among the five Monet paintings in the exhibition are The Cliff at Pourville, one of a Normandy coast series done in 1883 and The Doge’s Palace in Venice, painted during Monet’s only visit to Venice in 1908. The other three Monets are The Church at Vernon (1894), Island of Port-Villez (1897), and the well known Houses of Parliament (1903), one of the finest in a series done in London.

      Among the Monet contemporaries whose work is included in the exhibition are fellow Impressionist landscape painters Pissarro and Renoir; older colleague and predecessor in plein air landscape painting Daubigny; and Cézanne, who built the structural vision evidenced in his View of Gardanne from Impressionist beginnings. Also included will be Bonnard’s apartment-eye view of a Paris street scene, Les Boutiques, Boulevard de Batignolles (an important long-term loan from the Alex Hillman Family Foundation), which builds upon the earlier work of Pissarro, Monet, and Renoir; and Matisse’s Nude in a Wood (1905), a major innovation in pure color painting.

      Also represented will be works by artists who, unlike Monet, are primarily figure painters. They include Degas’s large oil study of a bather, an early Berthe Morisot portrait of a mother and daughter, and three works by Toulouse-Lautrec. Other important works are Cypresses, a sepia-ink drawing by Van Gogh; Picasso’s Standing Nude (1906); and Pissarro’s gouache study for a fan, The Turkey Girl.

      The exhibition has been selected by Sarah Faunce, Curator of European Paintings and Sculpture, from the collections of both the Departments of Painting and Sculpture and Prints and Drawings.

      Brooklyn Museum Archives. Records of the Department of Public Information. Press releases, 1989 - 1994. 07-09/1990, 117-118. View Original 1 . View Original 2

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    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
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    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
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    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
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