Exhibitions: reOrder: An Architectural Environment by Situ Studio

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Stela of Neferseku

The style of an object often provides insight into where it was made. On this stela, the offerings seem to float in the air and the arms of ...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Yachting Trophy

    Works with a connection to Brooklyn are of particular interest to curators when they select objects for the collection. This trophy in the s...

    Want to add this object to a set? Please join the Posse, or log in.


    DIG_E_2011_reOrder_01_PS4.jpg DIG_E_2011_reOrder_06_PS4.jpg DIG_E_2011_reOrder_05_PS4.jpg DIG_E_2011_reOrder_04_PS4.jpg DIG_E_2011_reOrder_03_PS4.jpg DIG_E_2011_reOrder_02_PS4.jpg

    reOrder: An Architectural Environment by Situ Studio

    Exhibition Didactics ?
    • reOrder: An Architectural Environment by Situ Studio
      The architecture of the Brooklyn Museum has never remained static. Over the past 120 years, the institution has physically reshaped its building again and again as it has adapted to changing times in a rapidly unfolding city.

      The environment reOrder, created by Situ Studio, marks a moment in the Museum’s complex architectural history, as the Great Hall reopens to the public after a recent renovation. reOrder addresses the ideals of proportion and ornament so central to the original design of the Great Hall. In 1893, the prominent architectural firm McKim, Mead & White designed this space according to a classical architectural order, a specific set of stylistic traits and column profiles based on ancient examples. Now, employing a new set of ordering principles that challenge the colossal scale and the regularity of the gridded space, reOrder transforms the Hall to better serve the complexities of public programming.

      Situ Studio rearticulates the space through the lightweight and flexible language of fabric construction, building on strategies developed in the textile industry for folding and gathering. A system of flexible canopies, thermoformed benches and tables, and an assortment of internal plywood and steel armatures creates a unique forum for public interaction and assembly within this ever-evolving institution.

      Situ Studio was founded in 2005 in Brooklyn, New York. Concentrating on research, design, and fabrication, the firm works at the intersection of architecture and a variety of other disciplines to engage a wide range of spatial projects.

    • The Great Hall: A Brief History
      reOrder is a space-altering architectural installation created by Situ Studio, a Brooklyn-based creative practice specializing in design and fabrication. This site-specific project introduces the renovated Great Hall, an extraordinary space with a long and complicated history.

      When it first opened to the public, in December 1925, this area had been under construction for over a decade. The Hall, and the floors above it, nearly doubled the Museum’s exhibition space, and the large and desirable galleries it provided were soon filled with the Museum’s collections of non-Western art: Asian art was on an open mezzanine, and African, Oceanic, and Native American art was on the main level.

      The pioneering curator Stewart Culin intended the large, square Hall to be symbolic of the world, with the art of different peoples distinguished by different paint colors. Native American collections were housed in cases of reds and pinks, and African art and art from the Pacific Islands were in shades of green. The resulting gallery was called “Rainbow House.”

      At that time, in 1925, the Museum’s entrance was two floors above us, reached by a grand staircase on the building’s façade; Rainbow House was thus on a lower level. In 1934, the grand staircase was removed, and this space became the first gallery Museum visitors encountered. Over the years, the installation evolved and changed, and the central area was known as the Hall of the Americas beginning in 1965.

      This 10,000-square-foot space—now referred to as the Great Hall—has recently been upgraded for climate control. A new installation following reOrder, planned for early 2012, will transform the renovated Hall into a dynamic introduction to the full breadth of the Museum’s collections. For the first time, this space will function as the visitor’s initial gallery experience of the Museum as a whole.

      reOrder: An Architectural Environment by Situ Studio is organized by Lance Singletary, Associate Exhibition Designer,and Sharon Matt Atkins, Managing Curator of Exhibitions, Brooklyn Museum.

    advanced 110,570 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."

    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.

    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.