Exhibitions: Question Bridge: Black Males

  • 1st Floor
    Arts of Africa, Steinberg Family Sculpture Garden
  • 2nd Floor
    Arts of Asia and the Islamic World
  • 3rd Floor
    Egyptian Art, European Paintings
  • 4th Floor
    Contemporary Art, Decorative Arts, Elizabeth A. Sackler Center for Feminist Art
  • 5th Floor
    Luce Center for American Art

On View: Relief of a Nobleman

The exact context of this relief is unknown. The anonymous noble's garment and elaborate wig with lotus flower fillet and intricate locks ar...

Hiroshige's One Hundred Famous Views of Edo

Hiroshige's 118 woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art.

    On View: Mantle ("The Paracas Textile")

    This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremo...

     
    Want to add this object to a set? Please join the Posse, or log in.

    close

    DIG_E_2012_Question_Bridge_01_PS4.jpg DIG_E_2012_Question_Bridge_07_PS4.jpg DIG_E_2012_Question_Bridge_06_PS4.jpg DIG_E_2012_Question_Bridge_05_PS4.jpg DIG_E_2012_Question_Bridge_04_PS4.jpg DIG_E_2012_Question_Bridge_02_PS4.jpg DIG_E_2012_Question_Bridge_03_PS4.jpg

    Question Bridge: Black Males

    Exhibition Didactics ?
    • QUESTION BRIDGE
      Question Bridge: Black Males is a project that explores critical and challenging issues within the African American male community by instigating a transmedia conversation among Black men from a range of geographic, economic, generational, educational, and social strata. The innovative video installation on display here begins a dialogue that is continued through a website, a curriculum offered to high schools, and special community events across the country. Question Bridge aims to provide a forum for necessary, honest expression and healing dialogue on themes that divide, unite, and puzzle Black males in the United States today.

      The Question Bridge concept originated in 1996, when the artist Chris Johnson was looking for a way to use new media to initiate a meaningful conversation around class and generational divisions within San Diego’s African American community. Johnson invited ten members of the Black community to express their deeply felt beliefs and values through candid question-and-answer exchanges in front of a video camera. None of the questions or answers were prompted.

      Building on this idea, over the past four years Johnson, along with Hank Willis Thomas, Bayeté Ross Smith, and Kamal Sinclair, traveled the nation collecting a video catalogue of 1,500 questions and answers from more than 150 Black men in twelve cities: New Orleans; New York; Philadelphia; Miami; Chicago; Birmingham; Atlanta and Fayetteville, Georgia; and San Francisco, Mountain View, Oakland, and San Bruno, California. These questions and separately filmed answers were then interwoven to create a stream-of-consciousness “megalogue” around issues such as family, love, interracial relationships, community, education, violence, and the past and future of Black men in American society. From these exchanges emerge surprising insights and new possibilities for witnessing our common humanity.

    • This is a critical period in history for the African American community. In recent years, many have been able to transcend racial, cultural, and economic boundaries, while others have found themselves increasingly confined to the margins of society. African American men are particularly challenged by this paradoxical disparity. A Black man is the president of the United States, yet incarceration and high school dropout rates remain disastrously high among Black men, who also suffer disproportionately from various preventable health risks and as victims of homicide.

      Representations and depictions of Black males in popular culture have long been governed by stereotypes of race and sexuality. Far too little is known about the range of internal values and dynamics of this group. Scientists, social scientists, theorists, historians, politicians, and activists have investigated the plight of the African American male on various levels and from diverse perspectives, yet not enough has been done to offer a multifaceted and self-determined representation of this demographic. Question Bridge: Black Males opens a window onto the complex and often unspoken concerns and questions among African American men. Creating an intimate experience for viewers and subjects, it provides new opportunities for understanding and healing. Leaving behind a simple, monochromatic conception of “Blackness,” this project brings to the fore the full spectrum of what it means to be “Black” and “male” in America.

      —Chris Johnson, Hank Willis Thomas, Bayeté Ross Smith, and Kamal Sinclair

    • Question Bridge: Black Males was created by Chris Johnson and Hank Willis Thomas, in collaboration with Bayeté Ross Smith and Kamal Sinclair. The Executive Producers are Delroy Lindo, Deborah Willis, and Jesse Williams. Will Sylvester is the Post-Production Producer, and Rosa White is the Supervising Story Producer. The Transmedia Producers are Antonio Kaplan and Elise Baugh of Innovent.

      The Brooklyn Museum presentation is co-organized by Patrick Amsellem, former Associate Curator of Photography, and Tricia Laughlin Bloom, Project Curator, Brooklyn Museum.

      Question Bridge: Black Males is a fiscally sponsored project of the Bay Area Video Coalition, supported in part by a grant from the Open Society Foundations Campaign for Black Male Achievement, the Tribeca Film Institute, Sundance Film Institute’s New Frontier Story Lab, the LEF Foundation, the Center for Cultural Innovation, and the California College of the Arts. Additional support was provided by the Jack Shainman Gallery.

    • The broader Question Bridge: Black Males project includes interactive hot spots at a number of locations around New York City, an interactive website, a curriculum, and community events held in cities across the country. Related installations will be presented at the Oakland Museum of California, Sundance Film Festival’s New Frontier program, and the Utah Museum of Contemporary Art, Salt Lake City; the Chastain Art Gallery, Atlanta, will present a youth-focused installation. The Question Bridge: Black Males curriculum is designed for high school students and can be accessed at questionbridge.com. The website includes additional question-and-answer sequences and more answers to the questions posed in this installation.

      The Question Bridge curriculum was designed by Kamal Sinclair in collaboration with Bayeté Ross Smith and Chris Johnson, in consultation with Jinan O’Connor, Dr. Joy Angela DeGruy, and Dr. Deborah Willis. The Question Bridge website concept was conceived by Kamal Sinclair.

    • "The history of the American Negro is the history of this strife—this longing to attain self-conscious manhood, to merge his double self into a better and truer self."

      —W.E.B. Du Bois
      The Souls of Black Folk: Essays and Sketches, 1903

    • “It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness—an American, a Negro; two warring souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”

      —W.E.B. Du Bois
      The Souls of Black Folk: Essays and Sketches, 1903

    • "Believe in life! Always human beings will live and progress to greater, broader, and fuller life."

      —W.E.B. Du Bois
      "Last Message to the World," 1957

    • “There is something called black in America, and there is something called white in America, and I know them when I see them, but I will forever be unable to explain the meaning of them, because they are not real, even though they have a very real place in my daily way of seeing, a fundamental relationship to my ever-evolving understanding of history and a critical place in my relationship to humanity.”

      —Carl Hancock-Rux
      "Eminem: The White Negro," in Everything but the Burden: What White People Are Taking from Black Culture, edited by Greg Tate, 2003

    advanced 108,199 records currently online.

    Separate each tag with a space: painting portrait.

    Or join words together in one tag by using double quotes: "Brooklyn Museum."


    Recently Tagged Exhibitions

    Recent Comments

    "Hi Aimee, I think you mean Oreet Ashery? More information can be found in her profile on the Feminist Art Base: http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/oreet_ashery.php?i=266"
    By shelley

    "Hi, I am trying to find the name of the artist who took and is in the photograph that follows- http://www.brooklynmuseum.org/opencollection/exhibitions/664/Global_Feminisms_Remix/image/216/Global_Feminisms_Remix._%7C08032007_-_03032008%7C._Installation_view. I believe the artist takes pictures of herself dressed as a man but then exposes her femaleness, as in the photo of her dressed as an Ascetic Jew exposing her breast. Can you help me find her information? Thanks in advance- Aimee Record"
    By Aimee Record

    "For more information on Louis Schanker and the New York Art Scene of the mid 1900's go to http://www.LouisSchanker.info "
    By Lou Siegel

    Join the posse or log in to work with our collections. Your tags, comments and favorites will display with your attribution.


    Prints, Drawings and Photographs

    Over the years, the collections of the Brooklyn Museum have been organized and reorganized in different ways. Collections of the former Department of Prints, Drawings, and Photographs include works on paper that may fall into other categories: American Art, European Art, Asian Art, Contemporary Art, and Photography.
    The Brooklyn Museum Archives maintains a collection of historical press releases. Many of these have been scanned and made available on our Web site. The releases range from brief announcements to extensive articles; images of the original releases have been included for your reference. Please note that all the original typographical elements, including occasional errors, have been retained. Releases may also contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the informative text panels written by the curator or organizer. Called "didactics," these panels are presented to the public during the exhibition's run, and we reproduce them here for your reference and archival interest. Please note that any illustrations on the original didactics have not been retained, and that the text may contain errors as a result of the scanning process. We welcome your feedback about corrections.
    For select exhibitions, we have made available some or all of the objects from the Brooklyn Museum collection that were in the installation. These objects are listed here for your reference and archival interest, but the list may be incomplete and does not contain objects owned by other institutions or lenders.
    This section utilizes the New York Times API in order to display related materials in New York Times publications.